These days, it seems like everyone is going on and on about “IMAX this” and “3-D Special Release that.” Even the lede to this article is so utterly bored by it that it resorts to one of the laziest tricks in writing. Just like the current state of gimmick cinema that is desperate to recoup box office by any means necessary.
Okay, that’s a stretch, but the whole 3D craze is at a fever-pitch ever since we’ve apparently cured cancer and ended world suffering by electing Obama. So why not be happy I can see Watchmen in 3-D IMAX for $20? Why not be overjoyed at seeing Monsters Vs. Aliens as if the adorable cash-in characters are right in front of me? Because 3-D Film is ultimately depressing. It talks a good game, remember the disappointment of when the reds and blues wouldn’t mix that well and just gave you a headache? We’ll be damned if we can’t ruin 3-D for you.
News hit the web late Friday that Maila Nurmi, the actress, model and TV host best known as Vampira, died last week at the age of 86. As always, David Hudson at GreenCine has the most comprehensive round-up of obits; I thought I’d do my part by rounding up a few video clips that demonstrate the original Goth queen’s impact on pop culture. Above, you’ll find a short clip of Vampira’s memorable appearance in Ed Wood’s Plan 9 From Outer Space. Click through the jump for Vampira minutia courtesy of Tim Burton, Glenn Danzig and more.
Let’s talk about my insatiable appetite for pre-postmodern horror. I don’t care about sorority girls getting slaughtered because they ran the wrong way up the stairs; I basically don’t care about anything that’s not in black and white. I like stuff that takes place in creepy laboratories, where some desperate soul is trying to violate the natural boundaries between life and death. The Universal monster movies of the 30s, the Val Lewton stuff of the 40s, the nuclear panic stuff of the late 50s/early 60s. So it’s a given that my favorite part about the weeks leading up to Halloween is that Turner Classic Movies floods their schedule with ancient, half-forgotten horror films. Halloween itself is kind of a letdown, because it means the well of stuff I love is about to dry up.
But as usual, YouTube makes it all better. As a child of the 80s, I think I always had some awareness of of the Boris Karloff films, particularly Bride of Frankenstein, but it was filtered through Young Frankenstein, Elvira and “Weird Science” (the Oingo Boingo song, which I definitely heard years before I saw the movie). Above, you’ll find a clip of the creation of the bride from the 1935 sequel to Frankenstein; below the jump, the various cultural detritus that led me to it. Happy Halloween!
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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