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CineVegas Diary: Britney Spears & Cinephilia

Karina Longworth
By Karina Longworth posted 1 year ago
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After the de rigeur delay at JFK (during which I learned of Tim Russert’s death via a single muted TV in an airport bar otherwise given over to Holland vs. France madness), I arrived in Vegas around 9:30 and went straight to The Palms, homebase of CineVegas and the hotel at which, as a member of the Shorts jury, I have been graciously sequestered

This is only my second trip to the city, but it seems like The Palms is a bit of an anomaly. Of course, a casino is a casino is a casino––there’s no getting around the frosty air-conditioned air, the sense of time having stopped at permanent midnight, the carefully calibrated spectacle apparently meant to foster the illusion that all spending and gambling losses are imaginary (or, at least, less than earth-shatteringly consequential). But at The Palms there are no grandmother types pumping coins into slots, no middle American families crowded around a buffet, no foreign tourists spending obscene amounts of money on luxury kitsch. A spacious, multi-tower complex set several blocks off The Strip, it attracts an almost uniquely young crowd, more or less demographically synonymous with the Real World season that would seem to inspire their tourism. Here the film festival is hidden in plain site, planted in part of the casino’s multiplex and injected into the hotel’s culture; the average Palms guest, if not oblivious, then certainly at least blinded somewhat by the MTV-approved moral suicide mission for which they took the long weekend.

The idea that such an environment could play host to serious films playing to serious cineastes who take it all very seriously might seem incongruous, but so far––and I write this having not seen a single film other than the shorts I’m jurying, though I plan to hit two screenings tonight––this contradiction just seems really exciting. Last night, at the CineVegas 10th Anniversary party, I had conversations about Carlos Reygadas, the degree of wink to the horror element of Baghead, Los Angeles’ newish Silent Movie Theater, and Ronnie Bronstein. Variety’s Robert Koehler valiantly argued the case that CineVegas is the preeminent discovery festival for “semi-narrative and non-narrative” film in North America. Janet Pierson convinced me that I have to see a SXSW 2008 selection that I missed called The Wild Horse Redemption, which she described as “cowboy porn about these felons who become horse whisperers” (hot, right?)

And all of this took place about five paces away from a heavily-bodyguarded Britney Spears.

…Read more

Teach your children well

By posted 2 years ago
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So apparently Hollywood is more worried than ever about the future of movies. Kids everywhere are increasingly ignoring traditional forms of entertainment–no big surprise–and have increasingly short attention spans–again, no big surprise. The recent worry was boosted by the emergence of special camps in China for kids who are too addicted to the Internet. Many articles and posts have been written on this topic lately, including one in Variety last month, “Invasion of the Techie Tots.”

I have kids, their friends are around a lot, and I find it a bit difficult to believe that we’re reaching the end of an era. Can you imagine–children not captivated by movies? Sure, there’s only so much Hollywood can do to protect itself (and the realist in me assumes they aren’t going about it right, anyway), so parents have to get involved. But kids are kids. They always have had and always will have a built-in sense of wonder. They’re captivated, creative, sponges. They’re made that way, and as far as I know, the way kids are made hasn’t changed even as new technologies and modes of entertainment have been developed. It seems like in order to dull those inbred characteristics of wonder, you really have to lock a kid in a room on a daily basis with a computer and video games and an iPod Video.

But most kids aren’t raised in that grim of a setting. And giving them some positive influence isn’t really that much work. All any kid really needs is a bit of balance (sorry, you can’t play video games all afternoon), some encouragement (let’s finish this book before we start something else), and exposure to good books, music and movies. Her amazing imagination will do the rest.

A Wall Street Journal article over the weekend by Joe Morgenstern, titled “YouTube Youth,” summed up my thoughts rather nicely. I’ll end with this:

Market forces and the inexorable march of technology will determine what’s going to be seen on what sorts of screens in what settings. Still, we can help to assure the continued existence of a receptive audience by infecting our children and grandchildren with the movie bug. Doing so effectively, though, means knowing which battles can’t be won, and which ones needn’t be fought.

The enemy, in whatever medium, is incoherence along with its partner in crime, indiscriminateness. In this fevered media environment, kids need not only to be restricted in their access to commercial junk, but exposed to what will delight and nourish them–first to children’s literature, and then to our endlessly rich heritage of motion pictures.

Exposing them is all we can do; what happens next must be an article of faith. I’m certainly a congregant, though. I believe the same lures that hooked me on movies as a kid–the spectacle, the mystery, the roiling emotions and the suspense about what happens next–can hold their own against whatever enticements the new media may serve up. First, though, our techie tots must see the flickering light.

Viewers marketing to themselves

By posted 3 years ago
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I just did a post on SpoutBlog’s web and technology side about the cable channel Current TV. A mere year ago the idea of user-generated content as a source of entertainment was so new it was puzzling people; now, in a world with YouTube, the concept is old hat.

So what do you all think about this other aspect of Current TV: letting viewers create advertisements? Here’s what the San Francisco Chronicle article says: