For fans of relatively offbeat animation, 2008 seems to have been a banner year. Pixar produced perhaps their most acclaimed effort yet with Wall-E, which is drawing considerable heat for a best picture nomination. Ari Folman’s Waltz with Bashir thrilled and horrified audiences in Competition in Cannes with subject matter and personal introspection not usually broached by animated films. Yet the most satisfying animated film that surfaced in 2008 may well have been Nina Paley’s delightful Sita Sings The Blues, which marries the tunes of obscure 30’s blues songstress Annette Hanshaw to a retelling, by three hip, Gen-Y Indians, of the Indian myth Ramayana and a mildly autobiographical story of a Seattle-based female cartoonist loosing her husband to his job in India. The film, a nominee for this year’s Gotham Award for the Best Film Not Playing at a Theater Near You after an impressive festival run that began at this year’s Berlinale, screens at MoMA on Thursday and Saturday. Clearly a dedicated postmodernist, after the jump Paley discusses Sci-Fi channel’s Eureka, Lawrence Lessig’s Free Culture and the strange ambiguities of influence.

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