The Dark Knight has been disqualified from the race for the Original Music Score Oscar. After four hours of discussing the matter, the executive committee of the Academy music branch non-unanimously deemed the score, which was technically only co-composed by Hans Zimmer and James Newton Howard yet which credited three others on sheet music for royalty purposes, ineligible on account of the inclusion of these partial collaborators.
Michael Moore claims his Fahrenheit 9/11 follow-up (once titled Fahrenheit 9/11 and a 1/2) has become less like a sequel to that film and more like “a bookend to Roger & Me.” The new doc will focus more on the financial crisis than on foreign policy and will feature an “end-of-the-empire tone.”
Meryl Streep may finally be upstaged. She’ll star opposite a cute little feline in a movie based on the non-fiction book Dewey: The Small-Town Library Cat Who Touched the World.
Blogsarebuzzing, but the fact that Michael Moore is making a sequel to Fahrenheit 9/11 is old news –– the film is referenced in this NY Times story from April of last year. The new news in this story from Variety’s Cannes section is that the film will be distributed internationally by Overture and Paramount Vantage––NOT The Weinstein Company, which handled the relatively disappointing release of Sicko. The same companies will rep the doc for international sale at Cannes.
The Playlist has details on Miranda July’s in-the-works second feature, Things We Don’t Understand and Definitely Are Not Going To Talk About.
The title of this post at Tisch Film Review is worded a bit confusingly, but it’s basically a list of ten great films that are not available on DVD. The Last Movie, The Mother and the Whore, etc.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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