Appropriation: Originality is overrated. Filmmakers taking footage from another film and adapting it into a new movie–Orson Welles (F for Fake), Werner Herzog (The Wild Blue Yonder) and Roger Corman (Voyage to the Planet of Prehistoric Women)–are they inspired or just desperate? (Chat about it in the FilmCouch group)
In the spirit of appropriation, email a [...]

 

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