I’m not in the mood to trash Indiana Jones and the Kingdom of the Crystal Skullfor the billionth time today, but the hot story on the blogs appears to be Indy related, so I’ll try to get through this disappointing story as quick as possible. According to Shia LaBeouf (in an interview with the BBC), Steven Spielberg has “cracked a story on” a fifth installment of the franchise, and the young actor thinks “they’re gearing that up.”
Of course that means little except that the series has survived despite having “nuked the fridge” (a term actually spawned by the ridiculousness of the fourth film), and it will continue grasping through life with some level of radiation sickness (aka further crappiness) as a result. Because I’m something of a cinematic masochist (you have to be in this line of work), I’ll probably see the next sequel, and the next, but I’ve got lower expectations for this thing than I’ve had for any movie ever greenlit.
Let’s see if any other bloggers feel the same way after the jump: …Read more
Who could possibly want to read/write/talk about movies on a day like this? It’s the day after the Lost Season 5 finale (aka “The Incident”), and that is the topic everyone’s searching, researching and discussing on the web this afternoon. So, we might as well join in the fun by devoting today’s list to that beloved yet frustrating TV show. Of course, we have to keep things at least relevant to the movies, this being a film blog and all, but it’s not really that difficult to do so. For a show that constantly references and pays tribute to movies, it might actually be harder to write about Lost without citing certain film titles.
Many fans of the series are no doubt seeking out and/or devising theories about what will transpire next, in Season 6. We say, try to get inside the movie-loving minds of Lost executive producers Carlton Cuse and Damon Lindelof. Surely whatever they’ve cooked up for the final season is inspired by one or more films. Stop your looking into the Bible, philosophy text books and the work of Flannery O’Connor. Instead, start your search for answers with the following ten theories, all based on movies. …Read more
This has been quite the week for me to wish Nicolas Cage still made good movies. Besides crying over the fact that his latest sci-fi action thriller involving disaster prophesy was #1 at the box office despite being panned by critics, some of my unrelated experiences over the past seven days have coincidentally included the following: watching Wild at Heartfor the first time; learning from locals that Moonstruckwas partly shot in my neighborhood; discussing, at a party, not only the merits of The Rock, but also its qualifications for inclusion in the Criterion catalog. I’m now thinking I should stay home tonight and watch a marathon of Raising Arizona, Face/Offand Adaptation.
Or, maybe I can just lay back and think about how Disney’s The Sorcerer’s Apprenticeis going to be Cage’s return to quality. I know, I know, those of you who didn’t stop reading at my profession of love for The Rock are now wondering if I’m crazy. “Certainly this movie is going to be terrible,” you’re saying to yourself (as you plan your derisive comment). And besides, Herzog’s Bad Lieutenant“remake” shall be his next good film. Well, maybe, but after seeing the new production photos from Apprentice circulating the net (originating at JustJared), I’m prophesizing that the Fantasia-inspired film will be the Moonstruck to Bad Lieutenant: Port of Call New Orleans‘ Raising Arizona, or the Face/Off to Lieutenant’s Con Air, or the Adaptation to Lieutenant’s Windtalkers. Perhaps I am soiling my reputation by confessing my overextending appreciation of Cage’s career, but you have to respect a guy who allows himself to look and be so ridiculous for his art.
The rest of the film blogosphere’s responses to the photos after the jump:
It’s beginning to look a lot like 1991. A former Disney starlet is on track for a Best Actress nomination. One of cinema’s greatest villainous performances is a sure thing for an acting Oscar. And, due to a relatively disappointing crop of Academy Award contenders, an animated feature is being talked about for Best Picture. One major difference between now and 1991, however, is now there’s a separate Oscar category for Best Animated Feature. While that doesn’t mean Wall-E can’t be the first animated film nominated in the top category since Beauty and the Beast, it does potentially mean that it shouldn’t be.
Poor Disney. The studio tries to do good by finally producing an animated movie featuring a black princess (The Princess and the Frog, out Christmas 2009) and it’s still called out for being racist. Since this past weekend’s debut of the teaser trailer for the film, a return to traditional 2-D animation (can the new computer-assisted techniques still qualify these films as “hand-drawn” or “cel” animation?) after a five-year drought, blogs such as Vulture and Defamer have noted possibly offensive stereotypes in the movie.
Well, what do you want? A return to traditional Disney films or racism-free films? As displayed in the montage featured as today’s clip of the day, most of our beloved Disney classics unfortunately have their share of racist portrayals. And let’s not forget some of the more contemporary Disney films, like Aladdin, which can be seen in this other YouTube clip as also being racist. So, perhaps Disney’s return to tradition is about more than just 2-D animation style. I’m not saying it’s a good thing. I’m just not all that shocked by it.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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I’m not in the mood to trash 
