I’m going with a continuation of yesterday’s Bloggery, because the death of John Hughes has hit my generation very hard, and on the day after we’re getting more lists and more memories, including one particularly popular eulogy from the filmmaker’s pen pal, which is shedding some light onto Hughes’ reasons for leaving Hollywood.
One thing that I’m finding interesting about the reactions to Hughes’ death is that he’s yet another example of how, as David Poland wrote back in June, “death is the ultimate disinfectant.” Not that many people stopped loving his ’80s teen movies after the man stopped directing, but the world didn’t quite respect him as much after he focused on writing and producing such family fare as Baby’s Day Out, the Beethoven movies and some unnecessary remakes for Disney.
Hughes’ death may not be the huge media story that Michael Jackson’s was, but given his contribution toward the definition of the ’80s, his decline in the ’90s and his association with Macauley Culkin, it’s not a huge stretch for all those “first MJ, now…” comments going around. When you think of ’80s music, you likely think of MJ. Likewise, when you think of ’80s movies, you think of JH. At least we still have the most important ’80s TV icon. But we might want to say our prayers for Bill Cosby…
Check out the further tributes and such from the film blogosphere after the jump:
…Read more
If you want proof that John Hughes has still not been succeeded as teen movie king, take a look at the 2001 spoof Not Another Teen Movie, which references Hughes’ films more than any other, despite the fact that it’d been 14 years since the filmmaker had last given us one of his signature entries into the genre. Also see the marketing of last year’s American Teen, a documentary that was sold as a non-fiction version of The Breakfast Club, 23 years later.
There will likely never be another John Hughes, at least not in the way he defined a type of movie. And at the same time, as much as nearly every teen movie since his seminal six recognize his influence, few of today’s teen movies can even get away with or accomplish things his films did. It would be appropriate if we could name sixteen of these things present in Hughes’ early works that are absent from modern teen movies, but we’ve got half that number, and we’re hoping it’s enough to establish that his films were, for better or worse, of a certain time, despite the fact that they’re so timeless.
…Read more
John Hughes was probably my first favorite filmmaker, or at least the first I really knew by name and reputation. So I’m especially saddened by his death from heart attack today, at age 59. Ferris Bueller’s Day Off may no longer be my favorite movie of all time — actually attending high school somewhat ruined the teen mythology that exists in Hughes’ films for me — but it forever remains in my top ten list of titles I enjoy watching over and over again (even if I am critical of the musical number).
Because many of us film bloggers grew up religiously watching his movies, including those he scripted but did not direct, there’s a lot of shared memories and tributes popping up around the web this evening. Check out what people are saying about the legacy of the iconic filmmaker after the jump:
…Read more
Fox Searchlight’s latest pop-indie festival pickup, (500) Days of Summer, is promotionally packaged, as is typical for the distributor, with a hip soundtrack featuring multiple songs from The Smiths and Regina Spektor, as well as tunes from Feist, The Doves and the obligatory Simon and Garfunkel. Though heavily dependent on music, the movie is not a musical, yet like other Searchlight releases it has that one moment where the line between non-musical and musical is just barely crossed.
In the past we’ve seen this moment restricted to diegetic circumstances, whether a dance performance or an in-scene duet of a Moldy Peaches song. But this year Searchlight’s titles have been venturing even further, first with the non-diegetic, Bollywood-influenced song and dance in Slumdog Millionaire and now with an equally fantastical sequence in (500) Days, in which Joseph Gordon-Levitt struts about to Hall and Oates’ “You Make My Dreams,” joined by a surplus of extras and an animated bluebird.
Musical numbers in non-musical movies can certainly work, as is evident in Citizen Kane and many David Lynch and Adam Sandler films, but there’s something very forced and cliché about the sequence in (500) Days. Never mind that it seems lifted out of Enchanted, a movie we very much despise, and never mind that we prefer our Zooey Deschanel movies to feature musical interludes performed by the singer-actress herself rather than lip-synced by her costars (director Marc Webb acknowledges the mistake of not including her in the scene); this number is just completely over-the-top and unoriginal.
In response to the scene, we’ve selected five of the worst musical numbers from non-musical films to show what kind of horrible company (500) Days of Summer is in.
…Read more
For only $2.3 million, you can own a house featured in Ferris Bueller’s Day Off. It’s not the title character’s residence, though; it’s the home of “Cameron Frye.” You’ll recall this as the setting of the film’s ending, where Cameron’s dad’s Ferrari is accidentally hurled through the garage window and into a forest ravine.
While any memorable location from a favorite movie would be a treat to own, Cameron’s house from Ferris Bueller is desirable for the opportunity to relive that famous scene — perhaps with a less-valuable vehicle. In fact, we think the person who buys this home should turn it into a museum, a la the house from A Christmas Story, and offer visitors the chance to crash a disposable car into the ravine for whatever it would cost to maintain such an attraction.
The listing for this Highland Park, Illinois, property has inspired us to come up with ten more movie homes we wish we could own, whether as a dwelling or a plaything. What favorite film location would you want to live in?
…Read more
There will be sequels to both Star Trek and X-Men Origins: Wolverine. Not only are these now officially greenlit, but they’re also what we call “likely sequels” prior to their certainty — meaning we all saw them coming way before Paramount and Fox, respectively, announced them. However, it’s not necessarily a given that a successful movie will always spawn a follow-up. For example, box office record-holder Titanic could never become a franchise.
Of course, people will always joke about the possibilities for a Titanic sequel, and that kind of humor is what makes the Twitter meme #unlikelysequels so entertaining. Unfortunately, 140 characters allows for little more than a proposed sequel title (and yes, “Titanic 2: Jack’s Back” is among them), so we have decided to expand on ten favorites by providing the synopsis and, for some, casting suggestions.
…Read more
If you buy the kids only one new video release this week, make it Pinocchio. Obviously. But if you have enough spending money to buy two, pick up Howard the Duck as well. Finally on DVD in America (with a Special Edition no less), the infamous flop is anything but a great film. Yet it is hardly one of the worst films of the 1980s, despite its reputation.
For the past 23 years, I’ve stood by my childhood love for Howard the Duck, constantly acknowledging that I even owned Ellis Weiner’s novelization of the film. Technically, the best reason to defend the movie’s existence is that it directly led to the creation of Pixar. But this reason doesn’t influence anyone to watch the thing. So, in order to defend the movie’s onscreen worth, I’ve come up with ten points for why you should pick up the new Howard the Duck disc and not feel at all guilty about doing so.
…Read more
Late last month, Nike unleashed the latest movie-themed sneaker, a yellow shoe with brown fur coming out of the top inspired by Teen Wolf (never mind that in the film the title character wears Adidas). Between this and the recent Back to the Future Part II tie-ins, Michael J. Fox seems to be a big influence on the world of sneaker collecting, and so it may only be a matter of time before we see Nike unveil a Doc Hollywood design.
Actually, it may only be a matter of time before we see a lot of film-inspired shoes we wouldn’t expect. Already, Nike has sneakers tied to Ferris Bueller’s Day Off, A Nightmare on Elm Street, Friday the 13th, Willy Wonka and the Chocolate Factory, Goodfellas, The Empire Strikes Back and Pee-Wee’s Big Adventure. Add to these Adidas’ Tron shoes, Puma’s The Goonies and Japanese Monster shoes and Slip-Off’s custom-designed Vans inspired by Fight Club, Star Wars, Napoleon Dynamite, Anchorman, E.T. and The Life Aquatic With Steve Zissou .
So, in order to beat the shoe companies to the punch, SpoutBlog has picked ten movies that deserve their own sneaker design. Most of these are quite literal and obvious, but it’s just a starting point. What other movies would you like to see make their way to your feet?
…Read more
Turns out, Ferris wasn’t lying. And not only was he actually too sick to go to school, he was terminally ill with only days left to his life. So, he went out with his best friend and his girlfriend and had as much fun as he could before he died. Meanwhile, his whole community attempted to cure him with the Save Ferris collection campaign. Does the film have a tearjerker of an ending with Ferris in his last moments? Probably not, because Ferris Bueller’s Day Off is not another depressing movie about dying; it’s a positive movie about living life to the fullest.
Man, how shitty would Rooney be feeling now if it turned out Ferris was indeed really, really sick? After watching this recut trailer, I’m wondering if you can actually watch the whole movie as is with the idea that Ferris is secretly terminal. Though it was once my favorite movie, I haven’t seen Ferris in its entirety in a long time, so I can’t be sure. Ignoring certain bits of dialogue about Ferris going off to college and any other hints that he’ll be continuing with his life may be dismissed as either denial or a case of other characters not knowing — a la My Life Without Me. And maybe that post-credits epilogue in which Ferris tells everyone to go home is really the guy trying to get rid of us so we don’t see his demise. …Read more
