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When Bobby Met Ariane: Maitresse

Lauren Wissot unpacks an anti-sex scene from Barbet Schroeder’s 1976 controversial film.

Critics Watch: Glenn Kenny Out At Premiere

Another week, another dose of frustrating news about the state of film journalism. This morning longtime Premiere film critic (and occasional SpoutBlog commenter) Glenn Kenny used his blog to announce that his “position at Premiere.com is being terminated.” Glenn says he’ll keep up his Premiere-hosted blog if he can; otherwise, he’s looking for freelance work. [...]

Tribecafication! SpoutBlog Week in Review

Tribeca is upon us: Karina’s preview; and Midnight preview; andThe Wackness review; and Standard Operating Procedure review — follow our continued coverage here
Already anticipating the next fest: Cannes lineup announced; and yes, of course Che is part of it
Porn sales are down because flaccid penises are up (or in?)
Burger King and Iron Man, Robert Downey [...]

How to Write Film Criticism? Stop Reading It.

I woke up this morning to a feed reader full of stories about film criticism, many of them blog posts in response to the latest bit of polemic from Armond White. It’s a prolonged screed against contemporary critics––young, old, print, web––anyone but Armond, essentially. Most of it just reads as noise, and since I’ve decided [...]

Moving Image Institute: The Deal

Over our five days at the Institute, we kept returning to a series of binary oppositions: print versus online; doing it for the passion versus doing it for the pay; criticism as consumer reporting versus advocacy for artists. With such circular questions, it’s hard to get anywhere, making it easy to lapse into what [...]

Moving Image Institute: Andrew Sarris & Molly Haskell

The legendary coupled critics talk feminism, Kael, and how the war on terror made the rise of Judd Apatow possible.

Moving Image Institute: The Guessing Game

Today marks the final day of the Moving Image Institute (see my previous coverage here and here), and though I’ve been taking copious notes, I’ve been too busy actually participating to do much writing. I hope to get caught up posting takeaways by the end of this week. In the meantime, I’m going to throw [...]

Please Pay Me For Writing This

Kevin reflects on the shifting economics of an elusive product: film criticism.

Moving Image Institute Day One: The Divide

The first guest speaker on the first morning of the Moving Image Institute in Film Criticism and Feature Writing, New York Times critic A.O. Scott made a comment about the problematic nature of Iraq films that seemed to me to serve as a wider metaphor for the current crisis facing those of us struggling for [...]

Moving Image Institute in New York

I’ve had an amazing time in Sarasota over the past week but, alas, I’ve headed back to New York for my next event: I’ve been invited to take part in the Moving Image Institute in Film Criticism and Feature Writing, a five day series of workshops and panels co-sponsored by the Museum of the Moving [...]