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The Nazis Are Coming Back!

The Nazis Are Coming Back!

Kevin Buist
By Kevin Buist posted 1 year ago
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It seems the Scandinavians know something we don’t: the Nazis are coming back. There are a slew of delicious looking indie features coming out of Northern Europe, three of which share a common antagonist: Nazis. Why this sudden interest in a decades-old threat? What is it about the present day that makes fascism even scarier than usual?

Iron Sky, a Finnish film about Nazis escaping to the moon at the end of WWII and returning to destroy Earth in 2018, is currently in pre-production. The filmmakers did a terrific job promoting their last film, Star Wreck, online. For Iron Sky, they are involving fans in every step of the process, including funding. They’ve already produced a killer trailer (see above).

The English subtitled version of the trailer for Dead Snow hit the web last week (via Twitch). The film, produced in Norway, follows a group of young people in a secluded cabin, fighting for survival against a horde of zombie Nazis. It looks like classic horror based on a fresh and funny premise.

But why Nazis and why now?

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Flame & Citron Review, Telluride 2008

Kevin Buist
By Kevin Buist posted 1 year ago
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Flame & Citron, directed by former Dogme 95 auteur Ole Christian Madsen, walks a thin line between ass-kicking assassin movie and dense WWII period drama. The film recounts the true story of Bent and Jørgen, code names Flame and Citron, as they cruise around occupied Copenhagen offing Danish Nazis and German officers. In addition to action flick and period drama, the film also features a healthy dose of noir. The spare lighting and superb camera work showcase solid performances.

The film opens with several scenes of Bent and Jørgen carrying out their grim duty, knocking on doors, killing their mark, moving on, all overlaid with voice-over by Bent, which is both informative and moving. The plot steadily thickens, scene by scene, as more characters, each with their own motivations, begin to play a role. The ballooning cast of players is too much to keep track of in a first viewing, but this may well be the point. As the sabotage and double-crossing mounts, we’re forced to trust that Bent and Jørgen are doing the right thing, even if it’s confusing and ugly.

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