• Before getting to that supposed “disappointing” debut of Australia, let me first congratulate Milk for cracking the top 10 while opening on only 34 screens. The film’s five-day Thanksgiving Weekend total gross is $1.9 million, meaning its per-screen average was an unbelievable (and apparently record-breaking) $51,833. Meanwhile, fellow limited-release powerhouse Slumdog Millionaire was kept at bay at 11th place, though its per-screen average continues to amaze at more than $36,000.
• Now for Australia: the film placed fifth for the holiday stretch, taking in less than half as much as box office winner Four Christmases ($46.7 mill.). However, its $14.8 million three-day take is a million more than that of the wide opening for Baz Luhrman’s previous film, Moulin Rouge. Also, its older audience, which had other, more familial commitments last week, will likely show greater interest as the film is out longer, especially if there’s good word of mouth. Most importantly, though, Australia at least didn’t perform as badly as Transporter 3.
• Cheers couple Kelsey Grammer and Bebe Neuwirth will be reunited for MGM’s Fame remake. They’ll play employees of the performing arts high school alongside fellow TV vets Charles S. Dutton and Megan Mullaly, as well as original Fame student Debbie Allen.
• Steve Buscemi and Kelly Macdonald are to star in Martin Scorsese’s new HBO project, Boardwalk Empire, which will depict the origins of Atlantic City.
• And speaking of HBO series, Rome may conclude on the big screen.

I recently had the chance to sit down with director Seth Gordon while he was promoting his holiday comedy Four Christmases, which is a decent enough film with a few laughs in it, most of them courtesy of Jon Favreau’s UFC fighter wannabe character and his redneck wife, excellently played by Katy Mixon. Growing up in Texas, it’s a great portrait of many holidays past.

However, I couldn’t stop myself from asking him about The King of Kong: A Fistful of Quarters, and the controversy it’s stirred up. In my other article talking about that movie and Chasing Ghosts: Beyond the Arcade, my point was that Ghosts was a much better film if you’re looking for a documentary about the arcades of yesteryear. That doesn’t mean that I wasn’t entertained by The King of Kong –– on the contrary I find it very entertaining, and having met Steve Wiebe several times, he literally is one of the nicest guys you’ll ever meet, just like in the film.

My main problem was the fact that Seth and his producer Ed Cunningham had seemed to play fast and loose with the facts when they edited their movie. Gordon doesn’t deny this, and he tantalizingly drops the fact that Billy Mitchell was actually much worse than they depicted in the movie. Does this mean that there needs to be a The King of Kong 2: Take This Hammer and Shove It sequel to set the record straight? I’d stand in line for that.

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Catherine Hardwicke hit one out of the park for female directors this past weekend, but she had a lot of help. Not only was she working with a pre-sold property, she also had a very manageable budget of $37 million. Quite different from the $2 million she had to work with on Thirteen a few years back. Of course, she had similar budgets on Lords of Dogtown ($25 million) and The Nativity Story ($35 million), and both were box office disappointments. Still, she’s going to keep on being trusted with more money — if Summit is smart they’ll keep her on for at least the first Twilight sequel, which will surely come with a higher price tag — and as long as she continues with genre films, she’s sure to remain a profitable director.

Not every talented filmmaker does well with more money. Danny Boyle, for instance, typically bombs with bigger budgets. And a lot of foreign auteurs strike out when handed costly studio-produced genre or franchise pics (Jeunet’s Alien Resurrection is a favorite example). But there’s the occasional filmmaker who, like Steven Soderbergh or Christopher Nolan, can make something worthwhile out of any budget they’re allotted. And then there are the many indie filmmakers who quickly find themselves at home with modestly priced broad comedies, such as the case with Seth Gordon easily transitioning from the Slamdance doc The King of Kong to the star-studded Hollywood holiday pic Four Christmases, out this week.

Who will be the next small-scale filmmaker to successfully rise up and prove him or herself worthy of bigger budgets? SpoutBlog has selected five directors we’d like to see given an economic boost, each because he or she would likely deliver something more interesting and popular than the usual Hollywood product.

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• Paul Schrader is reportedly done with Hollywood. His next film will be a Bollywood production titled Extreme City. The action pic will be a cross-cultural story, though probably more Bollywood-style than Danny Boyle’s Slumdog Millionaire; it won’t be a masala film but is likely to have a few more musical numbers.
• Universal is producing a French-language biopic of Serge Gainsbourg, which will neither be animated in claymation nor with Thunderbird-like puppets, despite what you might suspect after seeing Variety’s choice of photo. It will instead star real people, including Laetitia Casta, who is to portray Brigitte Bardot.
• Lionsgate has acquired the LeBron James doc More Than a Game, which will be released next fall accompanied by marketing tie-ins from Nike, Coca-Cola, State Farm and the NBA.
• In a much more respectable marketing tie-in, The Soloist has been connected to a food drive called Feed the Need, which will collect 1 million pounds of food by December 15 — four months before the film opens.
• The moviegoing demographics for this week’s “stuffed” Thanksgiving schedule are to be as follows: older woman to Australia; younger women to Four Christmases; youngest women/girls to Twilight; all men to Transporter 3; kids to Bolt. And some lucky people in 19 cities who don’t mind sold out shows will go see Milk.

• Twilight has already sold out around 500 midnight shows for Thursday and at least 400 shows throughout the weekend. Thanks to the report from The Hollywood Reporter, I finally understand the appeal: apparently it’s a movie about an “interspecies love affair.”
• It’s no coincidence that movie rights for another “vampyre” series of young adult novels has just been optioned. House of Night: Marked will be the link between Twilight and Harry Potter with its plot of pubescent bloodsuckers attending a special school just for their kind.
• One-time documentarian Seth Gordon is apparently satisfied directing fiction for awhile. Following Four Christmases, he’s now set to helm a con job caper titled Suicide Squad. However, he’s still reportedly doing a fictional remake of his doc The King of Kong and producing a new doc titled Freakonomics.
• A film described as Bill and Ted’s Excellent Adventure meets The Matrix is in the works at Warner Bros. The title, Control-Alt-Delete, might need to go, but otherwise the concept seems totally awesome. Now to get Keanu on board…
• Got a great idea for The Nutty Professor 3? Universal and Imagine have put out an open call for writers.

The holidays are coming, and that either means spending time with your dysfunctional family or escaping them for the movies … where you’re likely to be met by other, fictional dysfunctional families. Already this season, Rachel Getting Married introduced us to the f’ed up faux masala of the Buchman clan, and later this month we get to follow Vince Vaughn and Reese Witherspoon as they’re pulled into their separate quadrants of kin in Four Christmases. Also, for those who think dysfunction is an American tradition, this weekend sees the release of the French film A Christmas Tale (Un conte de Noël), which unites the two major premises of dysfunctional family movies by being set during the holidays and involving an ill family member.

With two more weeks left until Thanksgiving, after which we might not want to think about another family, real or cinematic, for the rest of our lives, it’s a perfect time to celebrate those dysfunctional tribes we love the best. Literally thousands of movies feature such families, though, so we’re sure to have left out some of your favorites. Definitely chime in below, and/or join the discussion currently going on over in our Top 5 group.

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• Former architect/advert director/David Fincher protege Joseph Kosinski has been hired to direct a remake of Logan’s Run. The script is to be written by Tim Sexton, who was nominated for an Oscar for Children of Men, and the film is expected to look more like the 1967 novel than the 1976 Michael York film.
• Before remaking his own King of Kong as a feature for New Line, Seth Gordon will direct Four Christmases, a Vince Vaughn/Reese Witherspoon comedy that the studio is rushing into production in order to secure a December 2008 tentpole in case of a strike.
• Sony Pictures Classics has bought a documentary about Jimmy Carter, titled Jimmy Carter: Man From Plains, and directed by Jonathan Demme. The film, which was produced by Jeff Skoll’s Participant Productions, will open at the Venice Film Festival before screening at Toronto.