Apparently Keanu Reeves can play an 18th century Japanese warrior in Universal’s samurai epic 47 Ronin because he’s “half-Asian.” Specifically, he’s half Hawaiian-Chinese, which is only the same as Japanese in the disappointing sort of Orientalism still practiced in Hollywood.
Ben Affleck may follow up Gone Baby Gone by directing Arizona, the true story of an investigative journalist killed while uncovering political corruption. This could be Affleck’s third work as a director if he’s still helming The Town, which he was linked to back in September.
New trend in Hollywood: kid writers. While Paramount’s got that 12-year-old food critic film, Fox now has the rights to 9-year-old love expert Alec Greven’s advice series How to Talk to Girls.
I wonder if Columbia’s untitled bounty hunter project starring Gerard Butler as a man hired to retrieve his ex-wife (played by Jennifer Aniston) will be more like It Happened One Night or His Girl Friday or neither of the above.
Another YouTube documentary: this one details the online love affair of an Australian and an American whose relationship played out on the video site for all to see. Wait, so why do we need the film?
For the first time ever, TV commercials for new movies will be allowed to run during the Oscar telecast beginning with the 2009 ceremony. None of the nominees or movies related to the nominees (sequels, prequels, etc.) are permitted, nor are any movies opening before the last weekend in April. So, look for never-before-seen spots for the summer blockbusters, which could benefit next year’s ratings if fanboys who otherwise have no interest in the Academy Awards tune in just to see new footage from Transformers 2.
16 years after offending Arabs with the animated feature Aladdin, Disney is now about to finance and produce its first film in Arabic — the Lebanese folk tale The Last of the Storytellers — as part of a new venture to make regionally geared movies in the Middle East. The Mouse House has also recently announced similar regional projects in Russiaand India.
Jamie Foxx will go vigilante, targeting the D.A. (Gerard Butler) who allowed his wife and child’s killer to go free, in the Frank Darabont-directed Law Abiding Citizen.
For all you Netflix subscribers: if you don’t rent Blu-Ray discs, you apparently will need to make an adjustment to your account that says so; otherwise you will be charged a higher rate beginning in November. If you do rent Blu-Ray, you’re fine, though you now must pay the additional $1 per month for being so technologically advanced.
This review originally appeared during the Toronto Film Festival. Guy Ritchie’s RockNRolla opens in New York and LA today.
Guy Ritchie has been getting a bad rap ever since the his impressive double header of Lock, Stock and Two Smoking Barrels and Snatch turned into the double whammy of becoming Mr. Madonna in 2000 and directingSwept Away in 2002. Ritchie was quickly heading for the bargain bin after that romantic comedy became a universal joke, topped as a target of derision perhaps only by Gigli. He returned to gangster fare with Revolver in 2005, but even with star and Ritchie alumnus Jason Statham, the film wasn’t well-received. So here we are three years later with yet another gangster-studded film, RocknRolla, this time with posterboy Gerard Butler in a leading role.
Well, the good news is that this marks a return to the London underbelly that was laid down by Lock and Snatch: RocknRolla could rightfully be called the third film in a Ritchie trilogy. The bad news is that it’s a whole lot of flash and not much substance. Not that people go to Ritchie’s films expecting a dissertation on the human condition, but his movies do at least require you to follow along closely due to their labyrinthine plots. RocknRolla is no different, and although Butler seems to be the face of the film, he’s simply part of a large ensemble cast, and not the strongest player.
Gerard Butler is serving as the posterboy for Guy Ritchie’s RocknRolla, but the truth is that he’s just one piece in the pie. He just happens to be the piece who has the added fruit filling of having starred in that little movie about Spartans. So, he’s now the de facto go to “face” for any film he’s going to co-star in.
He turns in a very solid performance as the down on his luck criminal One-Two in the movie, and unless he decides to play a role where he’s a homosexual struggling to break free from the bounds of oppression in Middle America, it’s as far as he can go to the other end of the spectrum from his turn as King Leonidas in 300. Check out the interview with him below and find out why he just can’t fake an orgasm.
Guy Ritchie has been getting a bad rap ever since the his impressive double header of Lock, Stock and Two Smoking Barrels and Snatch turned into the double whammy of becoming Mr. Madonna in 2000 and directingSwept Away in 2002. Ritchie was quickly heading for the bargain bin after that romantic comedy became a universal joke, topped as a target of derision perhaps only by Gigli. He returned to gangster fare with Revolver in 2005, but even with star and Ritchie alumnus Jason Statham, the film wasn’t well-received. So here we are three years later with yet another gangster-studded film, RocknRolla, this time with posterboy Gerard Butler in a leading role.
Well, the good news is that this marks a return to the London underbelly that was laid down by Lock and Snatch: RocknRolla could rightfully be called the third film in a Ritchie trilogy. The bad news is that it’s a whole lot of flash and not much substance. Not that people go to Ritchie’s films expecting a dissertation on the human condition, but his movies do at least require you to follow along closely due to their labyrinthine plots. RocknRolla is no different, and although Butler seems to be the face of the film, he’s simply part of a large ensemble cast, and not the strongest player.
The suddenly massive contingent of preteen female Comic-Con attendees swooned at the sight of Korean pop star/Ninja Assassin star Rain, and 300/RocknRolla hunk Gerard Butler, at Joel Silver’s Dark Castle Entertainment presentation. Jeremy Piven threatened to take his shirt off. Crickets.
Highlights:
–Dark Castle is investing in a bunch of direct-to-DVD sequels of moderate horror hits; judging by the reaction to The Hills Run Red, no one cares.
–”Korean music video sensation” Rain is a legitimate sensation. At least with the girls who were just still a little turned on from Twilight. Boys hold their hardons for “Gerry” Butler.
–Asking Joel Silver, Jeremy Piven and/or Guy Ritchie for words of encouragement is just about the biggest faux pas you can make as an attendee in Hall H.
–Joel Silver reveals the ten-words-or-less pitch that landed financing for Guy Ritchie’s Sherlock Holmes movie.
–Madonna and Guy Ritchie’s relationship was solid enough during filming of RocknRolla that she was tasked with shooting syringes into Gerard Butler’s ass.
For the last twenty years, Jodie Foster has had a lot in common with Tom Hanks. They both were nominated for Oscars in 1989, and again in 1995 (she won the first time; he won the second time), a year in which they each were recognized for playing kind of retarded. Each now has two Academy Awards and each is considered a dark, dark horse for this year’s Oscar race (neither will be nominated). Both actors continue to remain at the top of America’s favorites, even when or after they star in critically scorned blockbusters. And now, Foster is apparently trying to add one more thing she has in common with Hanks: she’s gone and made her own Joe vs. the Volcano.
In the trailer for Nim’s Island, we see that Foster’s character, like Hanks’ “Joe”, is a closeted, unwell human being who ends up on a mission to a little island, of which she has been deemed the savior. And like Joe, Foster meets an annoying little blond — though this time it’s child actress Abigail Breslin instead of childish actress Meg Ryan. There are, however, a lot of differences, too. And ultimately, Nim’s Island look a hundred times worse than Joe versus the Volcano — which is saying a lot (Joe has its charms, but it is truly an awful movie).
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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