Video games today are great for recreating scenes from old films (such as The Godfather) and plopping you into the action. But how faithful do a game’s sequences need to be? From the way Sierra Entertainment is advertising its new Ghostbustersvideo game, I guess you want the gaming to be as close to the direction of the original film as possible. Not only does the new trailer for the game include many scenes from the first Ghostbusters movie, it displays side-by-side comparisons of footage from the film and the game. Because what would the game be without a near-identical shot of library catalog cards shot into the air?
Interestingly enough, the game is not actually a total video game remake of Ghostbusters. Instead, it’s “an all new story you won’t see in theaters,” featuring a script by Dan Aykroyd and Harold Ramis, who also wrote both the original and the sequel, and the voices of Aykroyd, Ramis, Bill Murray, Ernie Hudson, Annie Potts, William Atherton and Brian Doyle-Murray, all reprising their roles from the films (I understand Sigourney Weaver opting out, but why no Rick Moranis?). Of course, it does require you to battle old favorites, such as Slimer, Gozer, the Stay Puft Marshmallow Man and Vigo (”master of evil”), but there will also be new villains, including the biggest paranormal problem the Ghostbusters have ever seen.
This is it, the day we’ve been waiting for two full decades (or, at least, since we first heard it was happening back in December): the Huey Lewis plot song written specifically for the David Gordon Green-driected, Judd Apatow-produced stoner comedy Pineapple Express has hit the web! The Playlist first posted a clip of the song last night; today, Whitney at Pop Candy points to the full thing, available for streaming or download on MySpace.
It’s very much in classic Huey Lewis plot song mode, complete with gratuitous hand claps and sax solo. It’s not as directly narrative as, say, “Back in Time” (above), but it’s slightly more literally connected to the film than, like, “The Power of Love.” A sample from the chorus: “How did we get into this mess? Pineapple Express! Can’t deal with this stress! Totally gone, cause we’re on, Pineapple Express!” It is the best, and it is also totally the worst.
As we’ve discussed before, plot songs take the science of the source cue to a new level. After the jump, a brief, video-guided journey through plot song history. Let us know what we’ve left out.
