Thus concludes our coverage of the 2008 Comic-Con International. If you missed anything, here it all is:

• Porn on the floor
• Jabba the Hutt
• Hoverboard for sale
• LEGO Batman
• Star Wars stamps
• Guy Ritchie’s comic book
• Pineapple Express and a brief history of stoner films
• Max Payne/Wolverine
• Twilight
• Red Sonja
• Nerd Barbies
• Tron 2
• Scream Like a Girl, hosted by Kevin Smith
• RocknRolla panel
• Guy Ritchie press conference
• Fanboys
• Watchmen
• The Wolfman
• Dr. Horrible (including sequel info)
• The Spirit
• Keifer Sutherland and Mirrors
• Judd Apatow, Kevin Smith, Zach Snyder, Frank Miller
• Watchmen: Dave Gibbons on Alan Moore
• Terminator Salvation
• Disney/Pixar
• Heath Ledger, the bobblehead
• Mummy 3, Death Race, Land of the Lost, Drag Me To Hell, Evil Dead
• Pineapple Express, Underworld, Quarantine
• Harold and Kumar
• Wes Craven and David Boyer
• Nightmare on Elm Street Part 209
• Hamlet 2
• Terminator Salvation press conference
• Troma at Comic-Con, Toxie in Iraq
• Interview with Gil Kenan, director of City of Ember
• Girls at Comic-Con
• Tropic Thunder
• Where was Star Trek?

Walden Media and Fox had two special retro Pullman cars set up chock full of gear and footage from the upcoming film City Of Ember, and packed some lucky press sardines inside to get a peek on the way down to Comic-Con. While the Amtrak train I took wasn’t quite as cool, I was able to catch up with director Gil Kenan and talk to him about the movie, his passion for sci-fi “without laser beams”, and what he’s added to the source material to aesthetically flesh out the novel’s “steampunk” world.

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• Walden Media is planning a huge blitz to promote their fall Bill Murray starrer City of Ember at ComicCon. The current plan is to “re-create the mythical city depicted in the film on a private two-car train that will transport 25 members of the media on a 2½-hour journey to the convention’s San Diego locale,” accompanied by the film’s director, screenwriter and producer.
• Expect to be inundated with “Hulk Smash!” headlines on come Monday morning. Variety kindly suggests that The Happening “will likely play like a traditional horror film rather than a broad summer title”––read: $20 million opening––leaving the by all accounts imperfect but not that bad Hulk to reel in mid-five figures.
• Sony Pictures Classics, the only studio other tha IFC to seriously stock their shelves last month at Cannes, has announced another acquisition: Palme D’or winner The Class.

Bill Murray’s indie film career resurgence over the past decade, through which the sometime “funny man” has taken melancholic serio-comic roles in films like Rushmore, Lost in Translation and Broken Flowers, has been animated by a kind of communal, revisionist nostalgia. Filmmakers like Wes Anderson and Sofia Coppola were teenagers during Murray’s first brush with fame in the early 80s, which would have made them extremely susceptible to the prototypical Murray character of the day, which hit its zenith with Ghostbusters.

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