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FilmCouch #108: The Depression on Film, How Starbucks Saved My Life

Kevin Buist
By Kevin Buist posted 9 months ago
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As economic woes turn to economic nightmares, comparisons to the Great Depression are a time a dozen. But what about movies? How did the movies of the ’30s respond to the crisis of the day? A series of pre-code Depression era films is being shown now at Film Forum, under the title Breadlines and Champagne. We take a look at American Madness, A Man’s Castle, and Our Daily Bread.

But what of the current crisis? Are there a slew of modern day Depression movies in the works? Maybe. Tom Hanks is rumored to be starring as a pensive barista in an adaptation of the riches-to-rags bestselling book, How Starbucks Saved My Life.

 
 FilmCouch 108: Play Now | Download

(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)

0:00 - Intro

1:26 - Waltz With Bashir graphic novel giveaway, listener feedback

6:48 - Kit Kittredge, Karina on Breadlines and Champagne

20:32 - Our Daily Bread

31:07 - How Starbucks Saved My Life

filmcouch-108

Chick Flicks and Economic Stimulus

Karina Longworth
By Karina Longworth posted 9 months ago
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Just over two months ago, Pajamas Media blogger Roger Kimball insisted that the economic picture could not possible be as dire as those mainstream liberal media hysterics wanted us to think. Then last week, Pajamas Media announced that their blog network is going out of business. Lesson learned: he who attempts to undercut the current economic pessimism ends up ironically fucked.

That is, unless “he” is talking about Hollywood. The movie industry is thriving so undeniably in this downturn –– Hollywood just wrapped its best January ever at the box office, with theater attendance up over 16% –– that just yesterday the MPAA’s proposed tax credits were thrown out of the economic stimulus package (California senators Barbara Boxer and Dianne Feinstein, no doubt well aware of the longer-tail consequences of the credit crunch on film financing, voted to keep the tax credits in). With the recent successes of mindless escapist fare like Paul Blart: Mall Cop, and the middling box office performance of “serious” Oscar contenders like Milk and Frost/Nixon, the pervasive meme in entertainment media coverage is that, just like during the first (and still the best!) Great Depression, audiences are flocking to the movies to forget their troubles.

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