While I’m in Texas for the week, Texan filmmaker (and sometime Spout contributor) David Lowery is in New York, attending Independent Film Week to support his feature St. Nick, which is a product of IFP’s Emerging Filmmaker Labs. He’s writing about his experience for Hammer to Nail, and had some interesting observations about the health of the industry. An excerpt:
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Michael Tully does alittle bit of everything. He’s a musician. Journo/blogger/critic. Oh, and he’s directed a pair of acclaimed films, the down and out on drugs in Jacksonville narrative Cocaine Angel and the David Berman rock doc Silver Jew, which will be released on DVD next week by Drag City. Michael is currently the editor of the indie film criticism blog Hammer to Nail, creator of indiewire’s Boredom and Its Boredest blog and occasional contributor to Spout and Filmmaker Magazine. Here’s his take on why The Wire is our young century’s greatest artwork, what’s so special about Max Richter and just how tough it is to get the rights to Richard Yates stories. …Read more
I have previously only attended the South by Southwest Film Festival as a feature film director (in both 2006 and 2007, with Cocaine Angel and Silver Jew, respectively). This year, however, I have no new film to present. Until I can find my way back into the director’s chair, it looks like I have a new calling in film festival life, that of a film reviewer (Hammer to Nail). Now that I’ve had a chance to settle into the groove of this new festival perspective, I thought it might be interesting to compare and contrast the life of a film director versus that of a film reviewer, specifically with regards to SXSW. Let us break down a day-in-the-life of each and see how they measure up. …Read more
