If you need to rest your eyes at any point during the 146 min. comedy epic Funny People, your best bet is to do it early during a sequence in which Adam Sandler’s character has back to back sex with a couple of female fans. The second of these scenes is mildly amusing, but there’s just no need to put the images in your head of either Sandler with a face full of breasts or the actor taking a girl from behind.
There are some actors we don’t need to see in a sex scene, humorous or otherwise, and Adam Sandler is one of them. He’s of a generation of comedic actors who starred in movies where they get the girl but where there’s no need for gratuitous sex and nudity. Unlike most of his successors, including Vince Vaughn, Owen Wilson, Paul Rudd and Dane Cook, he was never a pin-up in addition to being a funnyman. Even if he was better looking than some of his brethren, such as David Spade, Mike Myers, Chris Farley, Rob Schneider.
Still, Adam Sandler isn’t the last male actor we’d want to see in a sex scene. He’s not even in the bottom ten, which we present in a list below:
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“Did everybody see the film?” Abel Ferrara cried at the jump of the Cannes press conference for Chelsea on the Rocks, compulsively putting on and pulling off a pair of black wraparound sunglasses, sipping on a can of Budweiser. Several journalists coughed in response. Said Ferrara: “What is this, avian flu? Everybody cough, yeah. We got a Howard Hughes complex as it is.”
The press conference as a whole was a woozy, half-sickly, half-populated affair…maybe typical of anything involving Ferrara meeting journalists, but definitely emblematic of the Festival itself at this point. But! But! Ferrara twice talked about Werner Herzog’s alleged Nicolas Cage-starring remake of his Bad Lieutenant––once in response to a question from a reporter, and once just because he apparently felt like he needed to vent.
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photo by Karina Longworth
At Monday afternoon’s press conference following the NYFF screening of Go Go Tales, the Film Society of Lincoln Center’s Richard Pena introduced Abel Ferrara as “a dear old friend of the Festival,” but the maverick filmmaker went on to tell one or two stories that put that characterization into question. I had never seen Ferrara in person, but I thought I was prepared for his persona: something like the drunken, half-psychotic uncle that you can’t help but love. That perception didn’t turn out to be totally off, but I was surprised by Ferrara’s extremes: passive-aggressively needling Pena and the Festival one minute, lapsing into by all indications heartfelt tributes to his influences the next.
I’ll have more on Ferrara’s gaga Go Go Tales later today. For now, you’ll find transcribed highlights from the press conference after the jump, including Ferrara’s thoughts on Cassavetes, Leonardo DiCaprio, and how Harvey Keitel convinced him to start shooting digitally.
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