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5 Musical Numbers (in Non-Musical Films) That Just Don’t Work

5 Musical Numbers (in Non-Musical Films) That Just Don’t Work

Christopher Campbell
By Christopher Campbell posted 4 months ago
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Fox Searchlight’s latest pop-indie festival pickup, (500) Days of Summer, is promotionally packaged, as is typical for the distributor, with a hip soundtrack featuring multiple songs from The Smiths and Regina Spektor, as well as tunes from Feist, The Doves and the obligatory Simon and Garfunkel. Though heavily dependent on music, the movie is not a musical, yet like other Searchlight releases it has that one moment where the line between non-musical and musical is just barely crossed.

In the past we’ve seen this moment restricted to diegetic circumstances, whether a dance performance or an in-scene duet of a Moldy Peaches song. But this year Searchlight’s titles have been venturing even further, first with the non-diegetic, Bollywood-influenced song and dance in Slumdog Millionaire and now with an equally fantastical sequence in (500) Days, in which Joseph Gordon-Levitt struts about to Hall and Oates’ “You Make My Dreams,” joined by a surplus of extras and an animated bluebird.

Musical numbers in non-musical movies can certainly work, as is evident in Citizen Kane and many David Lynch and Adam Sandler films, but there’s something very forced and cliché about the sequence in (500) Days. Never mind that it seems lifted out of Enchanted, a movie we very much despise, and never mind that we prefer our Zooey Deschanel movies to feature musical interludes performed by the singer-actress herself rather than lip-synced by her costars (director Marc Webb acknowledges the mistake of not including her in the scene); this number is just completely over-the-top and unoriginal.

In response to the scene, we’ve selected five of the worst musical numbers from non-musical films to show what kind of horrible company (500) Days of Summer is in.
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Trailer of the Day: Sex and Death 101

Christopher Campbell
By Christopher Campbell posted 1 year ago
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Never mind the fact that Sex and Death 101 reunites Heathers screenwriter Daniel Waters with that film’s star, Winona Ryder. After Ford Fairlane, Hudson Hawk, Batman Returns and Demolition Man (all movies I enjoy, yet on a much, much lower level), I’m not holding my breath. Heathers was a great, brilliant fluke or flash of genius, and I’m fine with its strengths not being repeated here or ever. The fact that it exists on its own makes it that much better. Instead, I’m more excited about seeing Mindy “Natalie from Facts of Life” Cohn in a supporting role, which, at least in the trailer, seems to be quite prominent (by the way, I never knew she voiced “Velma” in so many Scooby-Doo cartoons and video games).

As you can see, other than reuniting us with “Natalie”, Sex and Death 101, which Waters also directed, doesn’t appear to have much going for it. However, the film did play at Cannes last year and at the Seattle International Film Festival, where it picked up an award for best director. And Scott Weinberg, who saw the film at Fantastic Fest and reviewed it for Cinematical, wrote: “Unapologetically sexy, oddly unpredictable and ultimately kinda (yes) sweet, Sex and Death 101 is just a solid little comedy that snuck up on me and showed me a really good time.” SO, maybe it is just being sold as a crappy-looking magical sex comedy dealing with lustful male fantasies. But if the horny teens show up wanting Zapped!, will they be disappointed? Well, Winona Ryder does technically (though quickly and barely) appear partially naked in the film, so perhaps they won’t be. Of course, they could just watch the clip after the jump. Or see the freeze frame here.

According to ComingSoon.net, Sex and Death 101 will receive a limited release on April 4.

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