James Lipton meets Hellboy. Booyaa.
Hulk Hogan shows us that he’s just as strong as The Incredible Hulk by smashing through a limousine and making grown men soil their pants with “dookie.”
The girl from the front of your ninth grade notebook is becoming a movie. Also: SEX AND THE CITY may not be able to come in at the top of the box office this weekend, but its director is already talking sequel.
Two questionable projects, each inspired by something having something do with Shia LaBeouf.
Not content to let IFC walk off the Croisette as the big buying ballers of Cannes 2008, Sony Pictures Classics set a number of deals in the last days of the fest, including distribution pacts for the Israeli animated doc Waltz With Bashir, Lorna’s Silence by the Dardenne brothers, and James Toback’s Tyson.
Meanwhile, the people [...]
In chronological order:
James Toback’s Tyson
Indiana Jones premiere, and Everything is Fine
In the market: Uwe Boll goes to Vietnam
How to throw a renegade karaoke party in Cannes
In the market: Sex and Breakfast
Raymond Depardon’s La Vie Moderne
James Gray’s Two Lovers
Che distribution speculation, and the French Forrest Gump
Pre-Che jitters
Post-Che fallout
Olivier Assayas’ Summer Hours and Terrence Davies’ Of Time [...]
Wee haw! Indy’s back! What is it about that man no one can repeat? And a must-see documentary about a chaplain who stood in the death chamber with 95 death row inmates.
FilmCouch 71 [28:50m]:
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In today’s Indiana Jones post, an ILM effects supervisor explains the need for computer effects in a “reality-based” movie set in the 1950s.
My obligatory Indy post for today: Harrison Ford proves his masculinity by comparing his body to Earth.
I don’t know what is worse, the negative feedback about the latest Indy movie or this reworked Frisco Kid trailer that shows us how much worse Kingdom of the Crystal Skull could have been.
