In today’s Indiana Jones post, an ILM effects supervisor explains the need for computer effects in a “reality-based” movie set in the 1950s.
My obligatory Indy post for today: Harrison Ford proves his masculinity by comparing his body to Earth.
I don’t know what is worse, the negative feedback about the latest Indy movie or this reworked Frisco Kid trailer that shows us how much worse Kingdom of the Crystal Skull could have been.
Indiana Jones and the Kingdom of the Crystal Skull is apparently good, but it’s bad, but it’s familiar, but it’s boring, but …
Eavesdropping on the Indiana Jones premiere, and notes from the Marche.
Hey archaelogists, best to get on the same page regarding your appreciation of Indiana Jones, you dig?
Variety says Steven Spielberg and co. are strenuously aiming to avoid what we’re apparently calling “The Da Vinci Scenario” –– so named because a “jet-lagged, overtired, cynical mob of critics and executives decimated The Da Vinci Code when it debuted [at Cannes] two years ago”––with this weekend’s debut of Indiana Jones vs. King Shia LaBeouf. [...]
Indiana Jones and the Kingdom of the Crystal Skull reviews are inching their way through, with some saying it’s dreadful and others saying the kids won’t like it.
The latest product of cinematic Naziphilia is about a secret Nazi colony on the Moon. And you can be a part of the $5 million production.
Grab your hat and whip and visit the spots where Indiana Jones had his adventures. Just don’t touch anything.
