Movie news on your iPhone today!
Advertisement
Coverage of what is truly interesting in the film world

TOP STORY:

ST.NICK: Interview with David Lowery, Director

Noralil Ryan Fores
By Noralil Ryan Fores posted 8 months ago
  • del.icio.us
  • Technorati
  • Reddit
  • Ma.gnolia
  • YahooMyWeb
  • Facebook
  • StumbleUpon

Outside the wind in Park City blows cold while inside here, in this tiny restaurant nestled away from the film festival hubbub of Main Street, filmmaker David Lowery slips off his jacket as he scans though the menu’s vegan options. In town for the Slamdance screening of his graceful, thought-provoking short film A Catalog of Anticipations, Lowery, more than this year ago now, bounces from venue to venue, sledding expedition to premiere party all the while returning to his hotel room in the breaks between to prep production for his debut feature film St. Nick.

Set in an isolated Texan winter landscape, the debut, which like Lowery’s shorts is as equally graceful and thought-provoking a mystery, follows a pair of adolescent sibling runaways who, for no seemingly better reason than that they can, trek out on their own self-reliant whim. Too young to understand the world as it is and yet too old to fully embrace the blind innocence of childhood again, the two scrape by, salvaging food from dumpsters and setting up shelter in an abandoned house. While aesthetically captivating and elegant, its shot design as experimental as it is fluent, St. Nick is undeniably a film composed of several provocative ideas and moments. It’s not always an easy film to understand, and that’s exactly, Lowery mentions now, just a few weeks left before the film’s premiere at South by Southwest, what he was after.

I love this notion in the Director’s Statement that you realized you were growing up on the first day of kindergarten, this idea that from that point on you’d have to wake up early. What was it like to be in that mindset as a child, and why do you think that idea occurred to you at that young age?

I wasn’t trying to make a happy film about childhood, and that was based on my own feelings. I remember being upset a lot as a kid, and so as I was trying to address all of that, it occurred to me that maybe that idea was tied into this [fear and anger] somehow. It seemed like a dynamic related. There was another moment I remember going up to my room and trying to knock myself out with a two-by-four; I was ten years old. So that’s an equally valid explanation of where the movie came from I think.

I was feeling a lot of resentment and other emotions when I was developing the project. That, I think, comes first. I had the idea for the movie, I was making it and then all of that emotion further came out as I was working on it. It wasn’t the driving force behind it, but it welled up as I was making it or preparing to make it.

…Read more

Joe Swanberg & Kris Swanberg Interview, SXSW 2009

Noralil Ryan Fores
By Noralil Ryan Fores posted 8 months ago
  • del.icio.us
  • Technorati
  • Reddit
  • Ma.gnolia
  • YahooMyWeb
  • Facebook
  • StumbleUpon

As a wedding present, Kris and Joe Swanberg received, among other gifts, an ice-cream maker. Almost immediately, Kris found herself experimenting with recipes—whiskey with bread pudding, hot chocolate with roasted marshmallows, coffee and doughnut and gingersnap cookie, four flavors a season. She sells them now by the pint at a local grocery store. During the day Kris heads to work as a substitute teacher, and though she loves teaching and is pursuing her graduate work in higher education, it’s a transitional occupation that she says is rather worthless and unfulfilling.

Joe, meanwhile, constantly developing ideas for a seemingly endless list of to-make films, struggles with all those mundanities that thwart his creative productivity. “Doing my laundry or washing my dishes, all of these tasks are cutting into time that I could use to be making work,” he says. “If I could employ a labor force to dress me in the morning, do all these tasks, drive me places, and if I could have people simultaneously scouting locations for several different projects and setting up the paperwork with SAG, then I’d have the energy within me to make six or seven features a year, I’m sure. Now, I’m just physically incapable of it.” The statement, made during an initial interview, is all the more humorously appropriate considering that Kris answers the phone for the second of the two lengthy conversations saying, “Oh, I’ll get Joe; he’s just folding socks.”

In many ways, as most couples do, Kris and Joe see and think in very different manners. While Kris tends not to debate film, or even at times actively note it, Joe delves into every nook and cranny of a cinematic trend or debate. While she’s articulate although softer spoken, he’s passionately, loudly declarative. While she finds comfort in realism, he finds himself moving into a greater period of experimentation. Yet for all of these differences, and perhaps because of them, the Swanbergs have weathered ten years together of both romantic ramblings and professional collaborations. This is only just the briefest of glimpses at the Swanbergs as a couple.

…Read more