Jay and Mark Duplass are abandoning the mumblecore movement for Hollywood. And not only will they work with a bigger budget, they’ve also acquired an Apatow-appropriate cast featuring John C. Reilly, Jonah Hill and Marisa Tomei. The untitled comedy (formerly called Safety Man) will have us believe that Tomei actually birthed Hill and still looks as good as she does.
Let the Mamma Mia! copycats come forward: New Line has bought the rights to the Off-Broadway musical Rock of Ages, which features a ton of 1980s rock anthems from bands like Journey, Twisted Sister, Foreigner, REO Speedwagon, Styx and Mr. Big (see the full list of musical numbers here). Despite the title, though, there’s apparently no Def Leppard. Start growing your mullet now and we’ll see you on opening night for some heavy metal sing-a-long goodness.
While Hollywood is abuzz with news of one female director being canned from a franchise, Fox 2000 has signed on another female director to take over a franchise. Of course, it’s only Betty Thomas and the movie she’s been hired for is Alvin and the Chipmunks: The Squeakuel (yes, that’s the real title), so it’s still not that exciting a step for womankind.
Brad Pitt will star in The Lost City of Z, a true story in which he’ll play Col. Percy Fawcett, an explorer who allegedly served as the inspiration for both Indiana Jones and Kent Allard (aka The Shadow). James Gray is directing.
We still have to wait almost a year before seeing Benicio Del Toro as The Wolfman, since Universal pushed back the horror remake from April to November. Also, Ridley Scott’s Nottingham is delayed until 2010.
I was reading Diablo Cody’s recent article in Entertainment Weekly about her love for Judy Blume, and started wondering why there haven’t been any movies made from anything she’s written. Earlier this summer my friend Jen Jones published a biography of Judy Blume, and when I rang her up about any Judy Blume films, she confirmed my fears: she’d been relegated to the world of made-for-TV movies and development hell.
Blume signed a multi-picture contract with Disney way back in March of 2004 (The New York Times talks about why it took so long), and since then we’ve neither seen nor heard a glimmer about the Deenie movie that was supposedly in development, nor anything about her other books. So in an effort to prime the pump, we’re going to present our top five dream casts for five of our favorite Judy Blume books. Check them out after the break.
You might have seen the “Don’t Vote” PSA featuring Hollywood celebrities ranging from Leonardo DiCaprio to Jonah Hill attempting to use reverse psychology in an effort to get lazy, apathetic Americans to register and then take part in this year’s presidential election. It’s a bit long for something so urgent and potentially influential, but it’s cool that so many unrelated famous people came together for something so important. Anyway, the guys at MagicHugs.com have now re-edited some of the footage from that PSA to create their own campaign regarding the films of Nicolas Cage. And while I doubt Leo or even Jonah appreciate being made to appear so critical of their peer’s career choices, it’s pretty funny. The only thing I don’t understand, though, is if I’m supposed to come away thinking I should watch Nic Cage movies. After all, the other “Don’t” PSA is meant to actually get me to vote.
Also related to the “Don’t Vote” PSA is another political ad featuring another movie star who represents that apathetic young American demographic the other celebrities are speaking out to. Joseph Gordon-Levitt has created his own little commercial for Barack Obama, a candidate he considers to be that rare politician who isn’t “bullshit.” Levitt claims not to be a Democrat or Republican, and he admits he’s never really cared about anybody running for president before, but he just had to tell us that he’s “feeling pretty strongly on this one.”
I wonder which ad will speak most to the typically indifferent, the one from the famous people who simply want people to get up and vote, no matter how potentially uninformed they may be, or the one from an apolitical peer who wants others to notice a specific hopeful’s distinction.
How esteemed is Judd Apatow right now? Apparently enough that he can manage to get blow job jokes — visual and verbal ones — on national television. The new trailer for Forgetting Sarah Marshall, which Apatow produced, premiered this week on Access Hollywood, and has the most obvious fellatio gestures I’ve ever seen permitted on anytime NBC, let alone pre-primetime NBC. Did nobody at NBC/Universal (which is also distributing the movie) notice? Or did they think the old ladies who watch Access Hollywood wouldn’t notice? Well, the execs didn’t really have to worry, because if you actually look at the version of the trailer shown on the air, it ends before the blow job jokes. Regardless, people who watch the show may have decided to go to the Access Hollywood website and watch the trailer again. This time wondering what’s so funny about a newly acquired necklace.
So, did nobody at the MPAA notice or get the jokes? This trailer may not be put on television in its entirety, but it’s certainly going to be playing to theater audiences comprised of all ages. I guess in relation to the general content of Apatow’s movies, as well as his R-rated viral videos and red-band trailers, this ad is considered pretty tame.
Eventually Judd Apatow’s schtick will no longer be fresh. But it may continue to be funny, even after the viral marketing backlash. Case in point: this new sketch/advertisement for Walk Hard, which takes Apatow’s viral brand to a mega-meta level. As much as the idea of fake fights involving Apatow and his actors is now a tired concept, the video is hilarious. And as much as Apatow’s self-referential jokes about being self-referential about being self-referential are as obvious as they are mind-wrapping, the video is still hilarious.It helps that this time around, there’s more funny guys involved and more going on at once. It’s not simply funny to watch Craig Robinson chasing after Judd Apatow because he’s pissed about being in another one of his “fucking commercials”, but it’s comedic gold to inter-cut it with Paul Rudd, Jonah Hill and Justin Long realizing they no longer have to talk about Apatow’s movies and can freely discuss their desire to see Michael Clayton.
Funny is funny, regardless of the situation or the motive.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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