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TOP STORY:

PUSH Drama, ARLEN FABER sells to Magnolia

Karina Longworth
By Karina Longworth posted 9 months ago
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To loosely paraphrase Journey: the Sundance movie deals never end, they go on and on and on and on. As Magnolia announces (via indieWIRE) that they’ve picked up Sundance Narrative Competition title Arlen Faber (starring Jeff Daniels, Lauren Graham and Olivia Thirlby) the biggest deal of the festival is getting infinitely more complicated. We’ve added Faber to our Sundance 2009 deal chart, and have also ammended the purchase price of Humpday. We’ll hold off on ammending the Push entry to reflect Harvey Weinstein’s claims, at least for now.

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By posted 3 years ago
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The 51 Birch Street event last night was a success, even though we sweated through some technical difficulties. (Paul handled the situation perfectly, putting everyone at ease. I have almost convinced him that it made the event more human and created a sense of comaraderie in the audience.)

There’s really no better place to highlight our imperfect, human condition than at a screening of 51 Birch Street. The filmmaker, Doug Block, has created a documentary around his journey to understand his parents as people, not just parents, and to understand their marriage in that light. In addition to many conversations with family members, the film includes insight drawn from years of his mother’s journals, which were discovered after her death. (The journals include all kinds of information most adults would rather not know about their mothers).

I think the most moving part of the film, for me, is an interview Doug has with his mother’s best friend of many years, Natasha. He asks her if she thinks his mother would have wanted him to read her journals. Natasha goes through a long process of thinking and making a string of “difficult thinking” expressions before she answers emphatically “Yes!” I love how sure she is after taking the time to think about the issue from many different angles. I also love what she says to back up her response: What a relief for someone to really know us, and still love us.

The film held many similar moments for me–moments of articulation that left me feeling that I was understood, not alone. When I talked after the show to several of the 125 people in attendance, it became clear that I was not the only one to be moved in that way. We all have our own, unique stories, yet we are all connected. Films like this simply bring that connection into the light.

That’s why we love filmmakers who realize they have a story, right under their nose, and decide to tell it. If you have your own story about making a breakthrough with your parents, Doug Block wants you to share it at the 51 Birch Street website. (You can also see where the film is scheduled to play in October and November.)

Day Night Day Night

Paul Moore
By Paul Moore posted 3 years ago
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I just watched Julia Loktev’s first feature film, Day Night Day Night starring a first-time actor, Luisa Williams. The film starts with the camera on the no-named girl (Williams) and then, with one brief exception, she’s in every shot of the entire film. We see what she sees and hear what she hears (the amplified chewing while she eats is an especially nice touch). There’s no explanation for who she is or where she comes from, and there are no dramatic music cues to tell us what she’s feeling. Nonetheless, what could have been a formal exercise in filmmaking takes us on a journey that’s nothing short of riveting.

The journey of this girl goes into some sensitive subject matter in a completely fresh and compassionate way. Ultimately, the journey is a spiritual one that left thoughts and images lingering in my mind long after the film ended. (And Williams’ performance is sure to be noticed–I think she’ll be showing up on the screen again soon.)

Listen to my interview with the filmmaker, Julia Loktev. (Pardon my sleepiness. It was late.)

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