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Anne Hathaway is Judy Garland

Karina Longworth
By Karina Longworth posted 8 months ago
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Variety reports that Anne Hathaway has been cast as Judy Garland in that Weinstein Company biopic based on Gerald Clarke’s Get Happy. An interesting choice; we know she can sing and can only assume the whole point is that she’ll sing for herself, although her voice is nowhere near as naturally powerful as Judy’s. She’ll be fairly easily younged-up for the 17 year-old Wizard of Oz era Garland, perhaps less convincing as the 40-something, four-times divorced pill addict who died of an overdose. I’m excited!

Judy Garland Bio optioned by Weinsteins

Karina Longworth
By Karina Longworth posted 9 months ago
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I can’t believe I missed this story yesterday (thank you, David Hudson, for pointing to it) but it looks like the Weinstein Company has optioned the film rights to one of my favorite star bios, Gerald Clarke’s Get Happy: The Life of Judy Garland.

I know Clarke’s book pretty much back-to-front; it was a key source for my undergraduate thesis film, which imagined the tragic fallout of a romance between Garland and Frank Sinatra (which I just might put online someday, if I’m ever feeling particularly thirsty for ridicule).

Of course, books get optioned all the time, and there’s no guarantee that this one will actually make it to the screen anytime soon (especially with the Weinsteins involved). But still: Casting! Let’s talk about it! Could there be a better fake Judy Garland than Judy Davis, who won an Emmy for her starring role in the TV movie Me and My Shadows? Is Jay Baruchel old enough to play Vincente Minnelli, because he sort of looks like him? And of course –– what about Liza?

Your thoughts, please.

BlogNosh 02/13/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • Kristin Thompson weighs in on the “I Drink Your Milkshake” phenomenon. “But great art has always been subject to humorous treatment and tends to come through unscathed. Marcel Duchamp stuck a mustache on a reproduction of the Mona Lisa and put it in a museum, and the act is considered a daring stroke of avant-garde art…The internet has accelerated such of manipulation of artworks and made us more aware of them, but its not new—and it is inevitable.”
  • Michael Musto reports from last night’s Film Forum screening of Sidney Lumet’s unlikely “lovely chick bonding” flick, The Group. Arrested Development fans, cover your eyes: according to Musto, Jessica “Lucille” Walters says she was ” desperate to play the Candice Bergen lesbo part.”
  • I wasn’t the only one to watch Amy Winehouse on Sunday night and think “didn’t Judy Garland already make this movie?” Via Radar.
  • The strike may be over, but UnitedHollywood isn’t. The WGA’s unofficial bloggy club house is warning that comment management will be slow for a while while the site preps a relaunch.

Have Yourself a Merry Little Christmas

Karina Longworth
By Karina Longworth posted 1 year ago
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SpoutBlog is taking today and tomorrow off. While we’re away, take a look at the clip above from Meet Me in St. Louis–it’s part of one of the sequences that we referenced in last week’s podcast on Demented Christmas Movie Moments. Unfortunately, this clip cuts off *just* before Tootie decapitates the snowmen, but it’s still gorgeous and sad. We’ll be back on Wednesday.

Side by Side: The Judy Garland Simulation

Karina Longworth
By Karina Longworth posted 1 year ago
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Item 1: Judy Garland, performing “Get Happy” in a scene taken from the end of the 1950 musical, Summer Stock.

Item 2: Rufus Wainwright, performing “Get Happy” in an identical outfit, with identical dance moves, from Glastonbury 2007, apropos of this Slant review of the concert album that resulted from Wainwright’s live remake of Garland’s legendary concert at Carnegie Hall.

Choice pullquote: “Sure, fans might cackle about the delicious irony of famed (and to be fair, recovered) Fire Island disaster and crack-pipe-alley diarist Rufus doing his best impression of music’s most fabulous pill-popper. But the reverence and respect he displays here is no joke, even if said reverence sometimes verges on camp, such as in the banter that follows ‘Almost Like Being in Love,’ where he admits, ‘I’m going to speak now, because on the album Judy speaks here. When I was a kid, I wanted to be Dorothy.’ While Wainwright provocatively toes the line between celebration and mockery, he never crosses it.”

Discuss.

Previously in Side by Side Simulations: Darby Crash

Dancing With The Stars: Mark Cuban’s Hobo Show

Karina Longworth
By Karina Longworth posted 2 years ago
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Apologies for the poor quality video, but above you’ll find evidence of sometime-movie mogul Mark Cuban’s debut on Dancing With the Stars. The Magnolia Pictures chief/simultaneous distribution evangelist/financier and distributor of Brian DePalma’s Redacted performed last night; his fate as a reality TV star will be decided by “America” tonight.

What you don’t see above is the prologue, which you can allegedly watch on ABC.com (I’m still waiting for the video to load). In a segment designed to introduce the audience to Cuban and his partner, Kym, Cuban revealed that he had hip replacement surgery just seven weeks before rehearsals began for Dancing With the Stars. “Most people are still on crutches,” Cuban says, lifting up his practice shorts to reveal a massive scar. Kym’s voiceover commends Cuban for working through the pain while we watch footage of him practicing with a tortured expression on his face. Cut to Cuban, interview style: “I’m not going through all this pain and agony just because. I’m there to win.”

It strikes me that, whether it’s his doing or that of Dancing’s producers, Cuban has managed to hit on a magic combination of about 100 winning reality TV cliches: rich fish out of water, an American Idol’s beginner’s enthusiasm for competitive performance, Extreme Makeover-branded physical struggle, non-household name reifying his stardom by going on a show mostly staffed by declining B-listers united in the deception that they’re so famous they don’t need to be there. On a show like this, it seems like a brilliant strategy: the audience, it seems, unfailingly rewards not those who perform well, but those who perform *surprisingly* well.

More on the dance itself after the jump.

…Read more

Lindsay Lohan: Is She Judy Garland, or Norman Maine?

Karina Longworth
By Karina Longworth posted 2 years ago
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lindsay_lohan.pngI *really* didn’t want to do back-to-back Lindsay Lohan posts, but I just can’t pass up an opportunity to talk about A Star is Born. Blame Jeff Wells.

Okay: back in June, I wrote a column for the Huffington Post, in which I placed Ms. Lohan’s downward spiral in a trajectory of wrecked childstars that possibly began with Judy Garland. I wrote:

Lindsay and Judy have an awful lot in common. Both were child stars, raised by stage mothers far more interested in their daughter’s fame than in their actual well-being. Judy’s life-long drug addiction began when her mother (in cahoots with Louis B. Meyer) put her on uppers to lose weight; if Lindsay’s mom isn’t actually doing drugs with her daughter, she’s at the very least accompanying Lindsay to clubs and turning a blind eye on her daughter’s substance abuse…[W]hen that letter from the producer of Georgia Rule leaked, all I could think of was Garland’s famous suspension at MGM in the late 40s, which inevitably led to the end of her career in movies. The drugs that kept [Judy] slim and energetic in musicals as a teen and 20-something had taken their toll by her 30s, and through a combination of her declining looks and her inability to show up on time, she became virtually unemployable. She lived out the last decade of her life broke, semi-homeless, and all but forgotten by the producers who made millions off of her as a teenager.

Four years after Judy Garland was dropped from her MGM contract, she famously tried to make a comeback by producing and starring in a musical remake of A Star is Born. In that film, Garland played an up-and-coming singer/actress whose rise to the top of the Hollywood ladder parallels her alcoholic actor husband’s fall. At the end of the film (spoiler alert!), the husband, whose stage name is Norman Maine, gets arrested for drunk driving and, in an attempt to spare his wife further embarrassment and bother, walks into the ocean. Seen today, with Garland’s drug-fueled demise far in the rearview, A Star is Born plays like a failed attempt on the part of the former childstar to publicly exorcise her crippling demons. Needless to say, that didn’t work; Star also didn’t do much to revitalize her film career.

As news of Lohan’s latest arrest spread across the web this afternoon, various self-appointed experts have rushed to diagnose the damage done by this incident to Lohan’s career. E! Online speculates that Lohan will almost surely lose a role currently on her slate, and Perez Hilton says (caps, of course, his), “NO ONE is going to want to work with her now. And IF they do hire her, Lohan will most likely be forced to pay for her own insurance on films, which will be VERY COSTLY.” Jeffrey Wells puts it like this (again, emphasis his):

She can’t be an “actress” any more because there’s no accepting her as anyone other than herself — the dumbest and most arrogant meltdown case in Hollywood history…It goes without saying that she’s become the industry’s youngest-ever Norman Maine. If this was a movie, the classy sad solution would be to walk into the Pacific…and stay there.

This, just a week after Jeremy Blake, in response to the suicide of girlfriend Theresa Duncan, allegedly did the same thing with a different ocean. Nobody seemed to think Blake’s walk into the Atlantic was “classy”–in fact, a friend of Blake and Duncan told the New York Post that he thought it was “cliche” and “calculated.” But I guess Blake wasn’t famous/famously messed up enough for his walk into the sea to qualify as a career “solution.”

In other news, Lindsay has a movie coming out this weekend!