
Director Peter Sollett turned his short film Five Feet High And Rising into the 2003 Sundance darling Raising Victor Vargas, and now he’s moved into studio fare with the Sony Pictures flick Nick and Norah’s Infinite Playlist. Thankfully, it doesn’t feel like a powerhouse of a film, and he manages to make a night in New York City feel honest, and not like a slickly produced starfest.
Read through the break to find out what it was like making this movie, why he thinks Union Pool is “retarded,” the skinny on MPAA censorship, and how much improv Michael Cera did in the movie. [He also swears and then apologizes for it, which Karina finds super endearing. -- Ed.]
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At last year’s Toronto International FIlm Festival they had guys dressed up in the running outfit that Michael Cera wore in Juno jogging around town, handing out orange Tic Tacs. So, it’s only fitting that this year the only viral marketing we’ve spotted around town is from another Michael Cera film. Nick and Norah’s Infinite Playlist has a phantom band in it that is central to the plot, and we’ve spotted advertisements for this band stenciled onto sidewalks and plastered on streetlights.
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