
Personal documentaries rarely operate under the aesthetic and narrative rules of horror films, incorporating shocking Shyamalan-esque twist endings, but Dear Zachary: A letter to a son about his father does, so it’s fitting that Oscilloscope are beginning its roll out on Halloween. When filmmaker Kurt Kuenne’s childhood best friend Andrew Bagby was killed at the age of 32, almost certainly by his years-older jilted girlfriend Shirley Turner, Kuenne began filming testimony from his friends and family as a memorial to his lost friend. Shortly thereafter it was revealed that Andrew’s probable killer, who though charged with the crime had not yet been extradicted from Canada, was pregnant with Andrew’s child, and as Andrew’s parents Kate and David moved to Newfoundland and fought for custody of the baby, Kuenne drove across the continent from California to conduct interviews. At that point, he restructured the project: it was now a filmed letter addressed to baby Zachary, about the man his father was. But before Kuenne finished filming, the story would take another, much more devastating turn. It may be impossible to talk about Dear Zachary in terms of craft without spoiling the real-life twist which compromises the integrity of its structure, but I’ll try to be as vague as I can. …Read more

The most talked about film at Slamdance this year was Kurt Kuenne’s Dear Zachary, a devastating account of the filmmakers’ admiration and grief for his murdered friend Andrew Bagby, who was almost certainly murdered by his girlfriend Dr. Shirley Turner, who later fled to Newfoundland before she could be brought to trial and remains in custody of their child, born months after Andrew was slain. In a Sunday Los Angeles Times article Kuenne, formerly a Filmmaker Magazine “25 New Face in Independent Film” and currently doing the festival rounds with his short Slow, expressed his hopes that the film, which opens in New York this Friday, can influence Canadians (who recently elected a new parliament) to change their extradition laws in hopes of catching Turner.
We caught up with Kuenne to discuss more trivial matters: his great affection for Wall-E, feeling over analysis as a guide to filmmaking and finding inspiration in children’s books.
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