It’s Internet Week in New York City! That means all my Twitter friends are going to three parties a night and texting from each about about how bored/drunk/drowning in nerdy masculinity they are. Because they keep going back night after night, I have to assume that either the NY tech community is full of self-destructive masochists (probable) or these events are actually kind of fun (naaaahhhh).
I’m going to see what all the fuss is about tonight, as IndieGoGo, FILMMAKER Magazine and the IFC Center co-host an Internet Week event called Where Internet and Film Collide. The evening will begin with screenings of Isabella Rossellini’s Green Porno shorts; one of Jamie Stuart’s short films produced during the annual New York Film Festival press screening grind; Beyond the Rave, an online series for which Lance Weiler created an interactive game; and web neo-Western The West Side, about which we’ve gushed previously. After the screenings, Stuart, Weiler, and West Side creators Ryan Bilsborrow-Koo and Zachary Leiberman will join Ari Kuschnir and Scott Thrift of web video studio M ss ng P eces and Christopher Barry, a digital media exec from the Sundance Channel for a panel discussion. I’ll Twitter it, I promise!
From Here to Awesome, the “discovery and distribution” online film festival initiative spearheaded by Arin Crumley, M Dot Strange and Lance Weiler, has released a video explaining their basic raison d’être. Subtitled “Festivals Don’t Work”, the video gives a brief refresher course on Crumley, Weiler and Strange’s efforts to deliver Four Eyed Monsters, Head Trauma and We Are the Strange directly to their audiences. And yes, Spout (who sponsored Four Eyed Monsters’ YouTube premiere and ended up paying the filmmakers almost $50,000) gets a little shout-out.
Add to My Profile | More VideosLance Weiler of Head Trauma fame has launched a new web series on MySpace called Hope is Missing. Loosely intended as a companion to Head Trauma, which is being released on VOD on October 23, the series is a true cross-platform event unfolding over MySpace, Twitter, and even real life. Two episodes are live so far; I’ve been having fun sorting through the comments, watching the users go from taking it at face value that these are “real” clips about a real missing girl, to questioning that assumption, to making the connection to Head Trauma. The first episode is above, and the whole series can be found here.
I finally met Lance Weiler at SXSW this year after a couple of years of reading his blog and Festmobs. Lance’s first film, The Last Broadcast, was the first feature to be distributed via digital satellite (it was also thought by some to have been plagiarized by The Blair Witch Project). His second film, Head Trauma, premiered at LAFF last year and is now available on DVD.
Weiler has basically spent the past year using Head Trauma as a starting point for a number of experiments in film exhibition, marketing and distribution. I’m super-excited about a Head Trauma event coming up next weekend at The Museum of the Moving Image (which, weirdly, is the closest thing I have to a neighborhood movie theater here in southwestern Queens). Weiler calls it his “cinema ARG”, or, alternate reality game:
It consists of three core parts. There is a pre-screening event which plays out across a number of city blocks surrounding the museum, the screening mashup which is NEW and improved, and a post screening leg that follows audience members home. The home version of the cinema ARG will involve user-generated materials, remixing, emails, SMS and phone calls.
While you await my full report on that, check out the above clip, in which Weiler explains another Head Trauma spinoff, in which he invited a number of bands to compose an alternate score for the film.
Spout invited Scott Kirsner (Cinematech), Ry Russo-Young (Orphans), Lance Weiler (Head Trauma, The Workbook Project) and Alison Willmore (IFC News) to come and talk. We like their minds and think they’re really tapped into the future of filmmaking and what the new distribution “sledgehammer” will be.
