Another season of MTV’s faux-reality melodrama and grade-A guilty pleasure The Hills debuted last night, and it was greeted by yet another New York Times review comparing its “plotlessness and dreamy cinematography” to the cinematic style of Michaelangelo Antonioni. As you know, I’m a big fan of cinema-conscious analyses of the Hills. But when the NYT’s Ginia Bellafonte calls The Hills — a by-all-accounts highly manipulated soap opera about “real” people, produced for the consumption of young, female mass audience — “Antonioni-esque,” what does she actually mean? I carefully watched the season premiere this morning on MTV.com and came up with five areas where this tale of California blondes of the aughts converge with Antonioni’s mid-to-late century masterpieces of modern isolation.

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I’ve been slowly gathering material for an academic article about the film references used by both bloggers and “real” journalists to talk about MTV’s The Hills. Stories and blog posts that discuss the show using the language of academic film/media criticism, some likening certain aspects of the show to the films of Michelangelo Antonioni and Eric Rohmer, have begun to stack up. Now, Jim Carrey and Peter Weir have been thrown into the mix, with a post on PopWatch titled, ‘The Hills’ is Like ‘The Truman Show’, Only Awful.

This cinematic reference is, in terms of the literal conditions of The Hills‘ production, probably more accurate than most, but when held up to any sort of scrutiny in terms of the content of the show, it’s proven to be off the mark.

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