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Diablo Cody and Her Fempire. Today in Film Bloggery 03/24/09

Christopher Campbell
By Christopher Campbell posted 8 months ago
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“When you read a screenplay, it doesn’t come with a picture on the cover,” said Adam Siegel, president of Marc Platt Productions, a producer who is friends with all four women and has worked with all except Ms. Cody. “I know a few beautiful women, but none of them write like Dana, Liz, Lorene or Diablo.”

The above quote is the best part of a New York Times piece from the weekend that made me throw up a bit in my mouth despite how delicious it is (this happens a lot to me with Mexican food, but rarely Times articles, even those in the Sunday Styles section). I would have used it for the Bloggery earlier, but of course Nikki Finke was more important yesterday. Coincidentally, there’s something about this profile on Diablo Cody and her “Fempire” that relates to the Finke story, at least to how Jeff Wells responded to Kim Masters’ take, claiming that if Finke was a guy she never would have been attacked in such a way.

Similarly, Cody and Co. wouldn’t be written about if they were men. But more importantly, they probably wouldn’t have been written about if they weren’t such good-looking women. So, while there’s something empowering about this foursome of female screenwriters who each boldly wear an identical necklace with an inscription that reads “Fuck My Face,” it was quite necessary to include a lot of tantalizing quotes about them seeing each other naked and sometimes being “super porno” like. And of course that double-edged quote from Siegel above. And another condescending (to men and women) bit from the piece’s author, Deborah Schoeneman, describing Elizabeth Meriwether (scribe of the upcoming Friends With Benefits) as “a thinking man’s Scarlett Johansson.”

If you recall, some had believed Cody only won so many awards from critics and peers because of what she looks like (and the profession she used to have). So, perhaps Oscar nominations should have also gone to Nick and Norah’s Infinite Playlist and What Happens in Vegas? Related, would this article have been as interesting if the “Fempire” included Cody’s less-hot Oscar competitors Tamara Jenkins and Nancy Oliver?

More reactions to the piece from others from the last few days after the jump:

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Chihuahua’s Wow Bow. Trade Roughage 10/06/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • The weekend box office went just as expected with Beverly Hills Chihuahua unfortunately coming out on top with $29 million and Rachel Getting Married earning the best per-screen average ($33,667) with an impressive $303,000 gross from only 9 locations. Also, with so many new films debuting, Flash of Genius, Blindness and How to Lose Friends and Alienate People couldn’t even open in the top ten — the latter placed as low as #19 — and An American Carol and Religilous only placed ninth and tenth, respectively. Still, for a documentary, Religilous‘ $3.5 million debut and $6,972 per-screen average are both honorable achievements. The film had the highest non-fiction debut of 2008, and it’s sure to be the highest-grossing non-concert doc of the year.
  • Nick and Norah’s Infinite Playlist also debuted relatively well this past weekend, which made it a perfect time for Mandate Pictures to annouce that the film’s screenwriter, Lorene Scafaria, will make her directorial debut with the romantic comedy Seeking a Friend for the End of the World.
  • For awhile now I’ve noticed the headlines about Mamma Mia!’s incredible overseas business, but I’ve so far ignored them. Well, here’s the latest off-balanced tally: compared to its already hit-qualifying $143 million domestic gross, the musical has taken in close to $400 million extra from international markets. That’s nearly three-fourths of its total take, for those who like fractions.
  • 200 projects developed by DreamWorks while living under Paramount’s roof will be divided up rather fairly between the two studios now that they’re separating. About one-fifth of those will remain joint efforts, of which one-half will be primarily developed by DreamWorks with Paramount having an option to co-finance and co-distribute. While some of these special-circumstance projects are rumored to be Spielberg’s directing and producing gigs, there’s still no news on what’s going on with the Tintin trilogy.

Lorene Scafaria Interview, Nick and Norah’s Infinite Playlist, Toronto 2008

Kevin Kelly
By Kevin Kelly posted 1 year ago
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Lorene Scafaria, screenwriter of Nick and Norah's Infinite Playlist

From left to right, Diablo Cody, Dana Fox, and Lorene Scafaria. Or, the “Femmepire” as they call it, a triumvirate of female screenwriters.

Lorene Scafaria has been toiling as a screenwriter for awhile, although her first produced film, Nick and Norah’s Infinite Playlist, is actually an adaptation of a novel by the same name. However, it manages to nail the “teen voice” without slapping a message all over it, and it should open up a few more doors for Lorene. Not that she needs them, since she’s already recorded an album of her own music, and has her next project already in the works.

Read on to find out how she tried to capture the New York City feeling in this movie, what she’s been doing with best friend and fellow screenwriter Diablo Cody, and what’s in store for her.

…Read more