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Why Film Festivals Don’t Work

Karina Longworth
By Karina Longworth posted 1 year ago
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From Here to Awesome, the “discovery and distribution” online film festival initiative spearheaded by Arin Crumley, M Dot Strange and Lance Weiler, has released a video explaining their basic raison d’être. Subtitled “Festivals Don’t Work”, the video gives a brief refresher course on Crumley, Weiler and Strange’s efforts to deliver Four Eyed Monsters, Head Trauma and We Are the Strange directly to their audiences. And yes, Spout (who sponsored Four Eyed Monsters’ YouTube premiere and ended up paying the filmmakers almost $50,000) gets a little shout-out.

Via FILMMAKER Blog.

Scott Kirsner Interviews M dot Strange–Clip of the Day

Karina Longworth
By Karina Longworth posted 2 years ago
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CinemaTech’s Scott Kirsner has posted a video interview with animator M dot Strange, whose feature We Are The Strange screened at Sundance this year. Strange is using YouTube as a major attention-getter for his work; he tells Kirsner that the site give him the opportunity “to create brand evangelists, crazy super-fanboys…that have the power of 1,000 regular people.” Some other highlights:

On the source of his pseudonym
: “Before, I was making films under a different name, and people would see them and say, “I don’t know, it’s kind of strange.” So I had to put it in my name to make it obvious, so that people cannot say, ‘Oh that’s strange’ — it’s supposed to be, that’s the guy’s name.”

On his “Film Skool” series of lectures on YouTube: “I didn’t go to film school, but from what people are telling me, there are students who are actually at NYU right now, who watch my videos, because I talk about things like inspiration, and having a cause…so it’s like intangible stuff. It’s about how to be an artist and be creative and keep going in a world that constantly doubts you.”

On not fitting into traditional distribution models: “At Sundance, it was pretty much like, there was this build-up, and then once a large population of 50-year-old people walked out and asked for their money back, that pretty much scared all the distributors.”

And that’s just the first seven minutes. The whole thing is worth a look–and I love the funky, 70s-porn intro music.