There is a good reason Hollywood continually makes Animal House wannabes and avoids producing films that actually focus on academia. Kids prefer their college movies to be about the fun stuff. And so a movie like Old School grossed $75 million while another Luke Wilson comedy called Tenure currently lacks a distributor. The latter film may also be hilarious, as a satire of the tenure process, but if it doesn’t concentrate more on beer bongs and naked co-eds, it won’t attract as big an audience. And according to some scholars, it may not even resonate with them, because it couldn’t possibly be what the process is really like. Film blogger and associate professor Chuck Tryon was quoted about the film last year as saying, “my ongoing pursuit of tenure typically involves me sitting in front of my laptop until 1 a.m., I don’t know how interesting that would be to watch.”

And evident by the scathing reviews from Sundance of John Krasinski’s Brief Interviews With Hideous Men, it appears another film about academia has failed to make a strong case for the subject matter. Too bad for the late David Foster Wallace, whose stories were adapted for the film, that Gus Van Sant wasn’t at the helm. A decade ago, in an interview with Van Sant, Wallace pretty much gushed that Good Will Hunting is the most accurate film about academia ever made. Do we agree with him? Let’s just say there’s not a whole lot of competition for such an honor. But in our attempt to recognize the ten best films about academia, Good Will Hunting doesn’t quite make the top spot.
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• Oh man … I totally forgot about the Val Lewton blogathon, and now I’m way too busy with Sundance prep to write something up. In any case, it starts today, to coincide with the TCM premiere of Val Lewton: The Man In the Shadows. I saw Kent Jones’ doc (narrated by Martin Scorsese) at Telluride, and it’s definitely a must-see for fans of films like Cat People and I Walked With A Zombie who want a taste of Lewton’s lesser-known works.
• Anyone could have guessed that last night’s Un-Golden Globes would be “weird”, but who could have guessed that it would have moved so many journalists to lapse into poetics? First Variety likened the experience to a dream; then, the NY Times topped their coverage with this photo of an unusually long-faced E! anchor, with a caption pointing up his supposed existential dilemma. Now, David Poland’s getting into the act, with this revelation: “I don’t really like ghosts as much as I enjoy the living.”
• A week or so ago, Jurgen Fauth mentioned that he’d bought an URL that he didn’t know what to do with. He’s since figured it out: IDrinkYourMilkshake.com has now become a web portal dedicated to aggregating discussions––and inevitable video mashups, as above––concerning There Will Be Blood. Act now, and you can even get an @idrinkyourmilkshake.com email address!
• Bob Westal ponders Harold and Kumar Escape from Guantanamo Bay. “Could this film be the next Duck Soup combining the silliest comedy and the sharpest satire?”

Bob at Forward to Yesterday informs us that yesterday was the 30th anniversary of the death of Groucho Marx. If you’d like to honor the godfather of motor-mouthed, self-reflexive comedy by watching Horse Feathers or Duck Soup, you need look no further than YouTube. I’ve embedded the speakeasy scene from the former above, and as a bonus, you get a chunk of Zeppo singing “Everybody Says I Love You.”