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Prop 8 - The Musical. Clip of the Day

Christopher Campbell
By Christopher Campbell posted 11 months ago
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Did you know that legalizing gay marriage could turn the economy around? Well, don’t take my word for it, but Neil Patrick Harris presents a pretty convincing argument…in song. He and a whole slew of big name comedic actors, including Jack Black, John C. Reilly, Allison Janney, Maya Rudolph, Andy Richter, Margaret Cho, Kathy Najimy, Rashida Jones and Craig Robinson, have united for an exclusive video from FunnyorDie.com that functions as a hilarious and tuneful protest of Proposition 8. And the songs are well-written too, since the whole thing was conceived and written by five-time Oscar-nominated composer Marc Shaiman. Hairspray director/choreographer Adam Shankman directed it.

In additon to supporting a cause, the video provides another surprising reason for me to regain interest in Jack Black. He’s terrific as Jesus here, and thanks to other recent online performances, such as his silent turn as Ben Franklin, I have a newfound enjoyment of his talents. Maybe he can somehow limit his career to the web and I can ignore all the obnoxious films he’s made in the last decade.

Anyway, check out the Prop 8 musical after the jump.

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Film Critics vs. Comic Movies, and other Wonderful BS. BlogNosh 08/06/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • For all the griping about how critics just don’t get the stuff that fanboys love, a show of the numbers suggests that reviews from Tomatometer and Metacritic ranked critics are more friendly to movies based on comic books than maybe any other single genre. Jim Emerson elaborates on his findings.
  • Rumsey Taylor on the “brand ambience” of Mad Men: “When Draper is describing each of these products, you’re held rapt by his words, and how they pronounce, with consummate precision, their transcendent significance. It’s all bullshit, of course, but what wonderful, wonderful bullshit.”
  • Last night at Largo in Los Angeles, “Maya Rudolph and Fred Armisen performed a series of light and effortless vignettes co-written and directed by Paul Thomas Anderson.” According to Vulture’s Nick Confalone, the performance felt “like sneaking a peek at P.T. Anderson’s Punch-Drunk Love notepad, exploring that movie’s notion that there’s someone for everyone, even though everyone is a little bit weird and fucked up. Whatever the future for this show, last night it made us grin like an idiot and tell our friends, ‘Love is awesome, right?’” Wonderful bullshit indeed.