Earlier this month, Sarah Ball at Newsweek’s Pop Vox blog took to dispelling the idea that zombies are the new vampires, arguing that they’ll never be as popular — basically because they’re not as sexually appealing. Jessica Barnes at Cinematical later responded with favor towards the living dead over the undead. But zombies are not a trend; they’ll always be around, at least in the background via low-budget horror cinema. The real question lately should be whether or not werewolves are the new vampires.
Werewolves do have some level of sex appeal, at least to those people who like hairy men (and/or women). And the fact that Twilightfans are divided over preference for bloodsucker Edward Cullen (Robert Pattinson) or lupine Jacob Black (Taylor Lautner) proves there’s a debate to be had about which creature is better. More importantly, though, is the presence of cinematic werewolves on the web this week, first with a much-derided clip from the Twilight installment New Moon, followed by a new trailer for Universal’s new version of The Wolfman (which features part of Marilyn Manson’s “If I Was Your Vampire,” interestingly enough) — Ryan Adams at Awards Daily posts them side by side for comparison.
I’d even like to somehow qualify the trailer for Serious Moonlight, which in addition to having a werewolf-friendly title features Meg Ryan displaying plastic surgery that looks like something applied by make-up artist Rick Baker (An American Werewolf in London; Wolf; Cursed; The Wolfman) for the transition effects used in werewolf movies.
S.T. VanAirsdale at Movieline has already claimed this “Werewolf Week” as a result of all the lycanthropy. But here’s hoping the trend appropriately lasts at least a full lunar cycle. So come on MTV, you’ve got a month to get us at least some set photos ffrom your upcoming Teen Wolf TV series.
Check out what the other film blogs are saying about the werewolf invasion after the jump:
In the 76 years since Hedy Lamarr came on the scene with her groundbreaking orgasm in the Czech film Ecstasy, we’ve seen countless onscreen simulations of sexual climax, few of which have been more awful and embarrassing than the one depicted in the new romantic comedy The Ugly Truth. The scene (watch it here) features Katherine Heigl’s character having an awkwardly pleasurable dinner meeting thanks to some vibrating panties and an unknowing kid in possession of the undergarment’s remote control.
Obviously it evokes all previous dining-scene-set orgasms (there have been plenty), but the bit in The Ugly Truth probably wouldn’t seem fresh or funny even if there were no precedent for scenes of its kind. Though indirect, the fact that it’s a preteen boy causing the orgasm makes the moment a little disturbing, as well. We’re sure that some moviegoers will find humor in it, but we came away from the scene feeling displeasure proportionate to the ecstatic pleasure experienced by the character.
After the jump, we take a look at ten other orgasms in movies that make us completely uncomfortable.
With Halloween less than a month away, it’s time to start thinking about what to go as. That is, if you haven’t already. A good costume-loving cinephile typically knows well in advance what he or she will dress up as for Halloween (and Comic-Con, too). But if you’re one to wait until the last minute, and also one who likes to be a lot more contemporary than, say, dressing up as a Ghostbuster or Edward Scissorhands, I’ve got some suggestions for you for costumes based on recent films.
September is often used as a dumping ground for movies, but this year it also appears to be a dumping ground for once-great or once-promising talents who’ve lost their way. I’ve taken note of at least 10 individuals (actors, actresses and a couple filmmakers) who have new films out this month (I’m counting the Labor Day weekend, too) who are due for a visit from the Ghost of Movies Past.
More specifically, these people need to backtrack to the ‘90s, which is when most of them did their last truly great work. Perhaps they need to take a look at that earlier work and remember what it was they used to do. Or perhaps they just need to get advice from the Coen brothers, who similarly hit a slump in the new millennium, but who are now back on track with a few more Oscars in hand and a new comedy, Burn After Reading, which looks to be more in line with their ‘90s classic The Big Lebowski than their 2000s missteps Intolerable Cruelty and The Ladykillers.
It could be argued that Cage made just as many worthless movies in the ‘90s as he has in the ‘00s. Also, considering his box office success with Ghost Rider and the National Treasure movies, plus his excellent Oscar-nominated dual role in Adaptation, it’s debatable that he’s “lost his way.” But it’s clear to me, at least, that he currently lacks any concern for the quality of his work, as evidenced by this month’s Bangkok Dangerous, which makes even Con Air look well crafted by comparison. In the ‘90s, Cage was doing much greater work for Scorsese, Lynch and even Michael Bay, and he won an Oscar for Best Actor, too. Unless he starts caring about the roles he chooses, he’s more likely to one day receive lifetime recognition by the Razzies than a lifetime achievement award from the Academy. Who he needs to work with again to get it back: the Coens; Uncle Francis (Ford Coppola); Scorsese; even Michael Bay would be good.
__Cukor’s original, released in 1939 and based on Clare Boothe Luce’s hit play, was basically a melodrama cranked up to the tempo of screwball; the performances today play as camp, but even the comedy is underlined with some kind of emotional truth. This new trailer plays broad, broad, broad throughout. The whole idea of the text is that it offers a glimpse into the way women behave when together in uncomfortably intimate spaces; going too big with the punchlines and the delivery seems like a tonal mistake.
–Where the original film had an ultimately cynical view of female friendships, depicting them as nuanced and unstable and constantly flipping between fingers-crossed faux sympathy, outright hostility and tentative trust, thisThe Women seems to be surrounding Meg Ryan’s Mary with a Sex and the City-like cadre of demographically varied Bestest Friends. The Annette Benning character, who I think is a stand-in for Rosalind Russell in the original film, seems annoying, but hardly the busy-body back-stabber that Russell made classic.
As a former fat guy, I have to salute actor Ron Lester, who went on the Today Show yesterday showing off his slim figure (see the segment here). You may remember Lester as the really, really fat high school football player “Billy Bob” from Varsity Blues, or his identical character from Not Another Teen Movie. Back in 2001, he lost 315lbs. — 43lbs. of it extra skin that had to be removed — and even lost 2 inches worth of height (thanks to the weight lost from his head). He did this by gastric bypass surgery and it was primarily for heath reasons, but damn if he doesn’t look much better, too.
The problem is, according to the person submitting this story to Fark.com, he may now be handsomer but he may also have cost himself his acting career. Obviously he had been employed in the past for his physique more than his acting talent, and now he’s missing that thing that guaranteed his being hired (his only significant movie post-surgery was Karate Dog). Certainly he’d rather be alive, though, than typecast. It’s not like he just went out and got plastic surgery thinking he’d be better off in an industry obsessed with good looks. But I did immediately think of Jennifer Grey and Meg Ryan as two prime examples of how physical changes, which were intended to be favorable, ended up more damaging career-wise. …Read more
For the last twenty years, Jodie Foster has had a lot in common with Tom Hanks. They both were nominated for Oscars in 1989, and again in 1995 (she won the first time; he won the second time), a year in which they each were recognized for playing kind of retarded. Each now has two Academy Awards and each is considered a dark, dark horse for this year’s Oscar race (neither will be nominated). Both actors continue to remain at the top of America’s favorites, even when or after they star in critically scorned blockbusters. And now, Foster is apparently trying to add one more thing she has in common with Hanks: she’s gone and made her own Joe vs. the Volcano.
In the trailer for Nim’s Island, we see that Foster’s character, like Hanks’ “Joe”, is a closeted, unwell human being who ends up on a mission to a little island, of which she has been deemed the savior. And like Joe, Foster meets an annoying little blond — though this time it’s child actress Abigail Breslin instead of childish actress Meg Ryan. There are, however, a lot of differences, too. And ultimately, Nim’s Island look a hundred times worse than Joe versus the Volcano — which is saying a lot (Joe has its charms, but it is truly an awful movie).
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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