The latest Eddie Murphy comedy, Meet Dave, debuted at a dismal 7th place this past weekend with only $5.3 million (on Monday it had already dropped down to #8), marking the worst wide-release opening for the actor since The Adventures of Pluto Nash. Can you spot the connection between these two movies? If you noted that they’re both sci-fi comedies, you’re smarter than the average movie exec, apparently. After comedy subgenre failures like Pluto Nash and Vampire in Brooklyn, you’d think producers would have known better than to cast the broad comedy star in something like Meet Dave. Actually, its distributor, Fox, may have started growing wise to the issue when it threw away the original title, Starship Dave.
A few writers have now addressed some of the reasons why Meet Dave failed, and it should be clear how to avoid such a bomb in the future. At the L.A. Times, Patrick Goldstein argues the sci-fi comedy case, though figured out the subgenre can sometimes go blockbuster, as the Men in Blackmovies show us. He also notes all the horrible crap that Fox has been putting out lately, displaying how shocking it is that this particular film did so much more poorly than garbage like Alvin and the Chipmunksand even What Happens in Vegas. Still, there seems to be some debate over whether or not Meet Dave suffered from actually being a sci-fi comedy or from Fox’s failure to own up to the fact and market it as such.
In response to Karina’s post from yesterday about plot songs, I feel it is necessary and timely to pay tribute today to the best plot song writer since Huey Lewis: Will Smith. From the ’80s on, Smith has provided the world with songs serving as storytelling supplements to his TV show, his movies and even other people’s movies. At times he has even prematurely released songs that could later be applied to movies for which he failed to attach an official plot song. Uh huh.
To get us started, here’s one for Hancock. It’s a song released three years ago, but it’s much more relevant now:
The above video is the closest thing I can find to a video for the song, which applies to Smith’s latest movie in three ways. (1) The title is close to the former title of the movie, “Tonight He Comes.” (2) It samples the theme to the Spider-Man TV series, fitting it in with the superhero plot. (3) It works as a big defense against all of the naysayers thinking he’s finally struck out with Hancock.
Who needs Will Ferrell’s impersonation when the real James Lipton is willing to do stuff like this. It’s short, it’s sweet and it’s helping me maintain my excitement for Hellboy II: The Golden Army. And I wasn’t even a fan of the first movie. In fact, I can’t remember a darn thing about Hellboy except for the Nazi-heavy prologue, which gave me the first impression of Indiana Jonesknockoff (the subsequent plot made me think Indy meets Men in Black). Fortunately, the follow-up looks more like Pan’s Labyrinth, which was at least directed by Hellboy helmer Guillermo Del Toro.
To get me back up to speed before Hellboy II drops next Friday, I’ve rented the DVD of the original. And I’ve also watched this animated prologue, which gives us background info regarding the Golden Army. Personally, I’d be OK with the whole film being in this style. I just have lots of love for minimal animation. I definitely need to check out Broken Saints, the web series directed by this prologue’s animator, Brooke Burgess.
Hellboy II: The Golden Army opens nationwide July 11.
The internet is an evil construct that’s causing us to submissively open our arms to totalitarianism! No, this isn’t another one of my posts about how our society is entering the world of The Matrix. This is the belief and fear of Barry Sonnenfeld, the director of Men in Black, Men in Black II and Wild Wild West, clearly a fan of lighter sci-fi than of the Orwellian sort. Speaking this week at the National Association of Broadcasters Show in Vegas, he lashed out against the internet, because of how it’s threatening democracy:
Sonnenfeld fears that children today will grow up with “no concept of the right to privacy and in fact not understand the need for it. Because the Facebook generation is not concerned with what people know about them . . . they will have no problem with additional governmental supervision, spying and intervention. They will be thrilled that the Internet will be able to follow their every move.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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The latest Eddie Murphy comedy, 
The internet is an evil construct that’s causing us to submissively open our arms to totalitarianism! No, this isn’t another 
