Paper Heart comes out this week, and I am not going to republish my review from Sundance, mostly because I’ve seen the film again since then and actually think I was way too forgiving the first time around. But there are two things about the film that I think are worth noting:

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I’m always game to devote one of these roundups to Ghostbusters 3 news, but when it relates to a personal favorite list I wrote 7 months ago, I’m especially interested. Maybe you remember I already cast the female version of Ghostbusters with Elizabeth Banks, Anna Faris, Tina Fey, Niecy Nash, Zooey Deschanel and (replacing the original female cast members) Adrian Brody and Jay Baruchel. But I guess Dan Aykroyd’s latest interview spew of G3 hype is worthy of continued casting ideas, because like Bill Murry before him, he’s focusing our attention on the prospects of girl Ghostbusters. Specifically, he’s proposing the names Alyssa Milano and Eliza Dushku as potential costars for him and the elder team.

Are they good choices? Most people are shocked at the bland suggestions. But remember these are just actresses Aykroyd thinks are “amazing.” Let’s see what the rest of the blogosphere thinks, after the jump.

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There will be sequels to both Star Trek and X-Men Origins: Wolverine. Not only are these now officially greenlit, but they’re also what we call “likely sequels” prior to their certainty — meaning we all saw them coming way before Paramount and Fox, respectively, announced them. However, it’s not necessarily a given that a successful movie will always spawn a follow-up. For example, box office record-holder Titanic could never become a franchise.

Of course, people will always joke about the possibilities for a Titanic sequel, and that kind of humor is what makes the Twitter meme #unlikelysequels so entertaining. Unfortunately, 140 characters allows for little more than a proposed sequel title (and yes, “Titanic 2: Jack’s Back” is among them), so we have decided to expand on ten favorites by providing the synopsis and, for some, casting suggestions.
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The art of awkward goes too far with Paper Heart, the quasi non-fiction narrative in which comedian Charlyne Yi travels the countryside interviewing The People about love, while simultaneously being courted by (Yi’s real-life boyfriend) Michael Cera. Though fascinating in the ways in which it shades the lines separating the “real” from the obviously scripted (especially in the beautiful, inventive puppet animations dramatizing the documentary stories), Yi’s allegedly actual crises of romantic faith come off as contrived from the get go, suffer further thanks to the performer’s total lack of dramatic range, and resolve themselves in a programmatic ending that’s completely unearned.

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Way back in November, a Hollywood Reporter Sundance prognostication story alerted the world to Paper Heart, a “part-documentary, part-scripted comedy” starring Michael Cera and his real-life girlfriend Charlyne Yi. The trade said the film’s sales agents were hoping “to limit advance word, presumably in the hopes of making a splash a la Sundance phenom Napoleon Dynamite.”

Said sales agents must have been really upset that the Reuters-syndicated trade wrote a big story about the movie weeks before the festival lineup was even announced, thus ensuring that this project previously known to virtually no one would not only suddenly become the hottest ticket of the festival, but that its extreme hotness would be telegraphed in publications potentially read by the suburban teenagers who will make up its target post-Sundance ticket-buying audience. Let’s all shake our fists in frustrated solidarity: darn you, Hollywood Reporter!

Anyhow, now that the cat’s out of the bag and Paper Heart is en route to its big Saturday night premiere at the Racquet Club, the question on everyone’s minds is this: Who is this young lady who has landed Hollywood’s Most Eligible Bachelor Best Known For His Role in A Comedic Teenage Incest Subplot?

Her YouTube channel has some answers.

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• The cat is out of the bag for Paper Hearts, a new movie starring Michael Cera about his real-life relationship with actress Charlyne Yi (Knocked Up). The part-doc, part-scripted comedy was apparently hoping to slip into the 2009 Sundance Film Festival completely under the radar in order to keep expectations in check. Now we’re all talking about it, and it’s sure to be one of the hottest tickets in Park City (as long as it’s indeed selected for the fest). Other titles expected to be named next week for the Sundance slate include the Ashton Kutcher starrer Spread, the Nick Hornby-scripted An Education and Antoine Fuqua’s Brooklyn’s Finest.
• Following in his sister’s footsteps, Madonna bro Christopher Ciccone will make his feature directorial debut with a teen thriller titled Twist.
• The Dardenne brothers have accepted the position as heads of Europa Distribution, a two-year-old collective of independent film distributors that acts as a lobby, think-tank and network for the European film industry.
• In other European cinema news, due to the current economy, both the San Sebastian and CineKid film festivals are on the verge of going out of business.
• This should have been the year everyone got a Blu-ray player for Christmas, but despite lowered prices, the current recession will likely still keep consumers from adopting the format.

I was reading Diablo Cody’s recent article in Entertainment Weekly about her love for Judy Blume, and started wondering why there haven’t been any movies made from anything she’s written. Earlier this summer my friend Jen Jones published a biography of Judy Blume, and when I rang her up about any Judy Blume films, she confirmed my fears: she’d been relegated to the world of made-for-TV movies and development hell.

Blume signed a multi-picture contract with Disney way back in March of 2004 (The New York Times talks about why it took so long), and since then we’ve neither seen nor heard a glimmer about the Deenie movie that was supposedly in development, nor anything about her other books. So in an effort to prime the pump, we’re going to present our top five dream casts for five of our favorite Judy Blume books. Check them out after the break.

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This review originally appeared during the Toronto Film Festival. Nick and Norah opens nationwide tomorrow.

From its animated notebook-scrawl opening credits to a final scene in which two people finally, effortlessly unburden themselves of a MacGuffin and just decide to be together, Nick and Norah’s Infinite Playlist (based on the young adult novel by Rachel Cohn and David Leviathan) seems to have been packaged in the hopes that the lightning that made Juno an unignorable commodity a cultural phenomena will strike twice. Nick and Norah isn’t quite the assault to the teen romance genre that Juno was, and that’s both good and bad. Michael Cera’s Nick, Kat Denning’s Norah, and their assorted pals drift fluidly between irony-as-defense and taking both themselves, and the idea of love, very seriously. The result is a film that’s much more of a traditional teen romance, but also a more honest one.

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From left to right, Diablo Cody, Dana Fox, and Lorene Scafaria. Or, the “Femmepire” as they call it, a triumvirate of female screenwriters.

Lorene Scafaria has been toiling as a screenwriter for awhile, although her first produced film, Nick and Norah’s Infinite Playlist, is actually an adaptation of a novel by the same name. However, it manages to nail the “teen voice” without slapping a message all over it, and it should open up a few more doors for Lorene. Not that she needs them, since she’s already recorded an album of her own music, and has her next project already in the works.

Read on to find out how she tried to capture the New York City feeling in this movie, what she’s been doing with best friend and fellow screenwriter Diablo Cody, and what’s in store for her.

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Director Peter Sollett turned his short film Five Feet High And Rising into the 2003 Sundance darling Raising Victor Vargas, and now he’s moved into studio fare with the Sony Pictures flick Nick and Norah’s Infinite Playlist. Thankfully, it doesn’t feel like a powerhouse of a film, and he manages to make a night in New York City feel honest, and not like a slickly produced starfest.

Read through the break to find out what it was like making this movie, why he thinks Union Pool is “retarded,” the skinny on MPAA censorship, and how much improv Michael Cera did in the movie. [He also swears and then apologizes for it, which Karina finds super endearing. -- Ed.]

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The first thing you notice about Michael Cera in person is that he seems a lot smaller and skinnier than he does in the movies. Maybe it’s actually true that the camera adds ten pounds. He’s also even nicer and seemingly more vulnerable than the characters he plays, if that were actually possible. His role as Nick in Nick and Norah’s Infinite Playlist is nothing new for him, but because he’s so honest and innocent, it hasn’t gotten old. Yet. He’s like the Lloyd Dobbler for an entirely new generation.

Read on for our interview with Michael in Toronto to find out all about the Arrested Development movie, how he likes his coffee (and what that says about how he likes his men), and what Lindsay Anderson film’s soundtrack he should hav on his iPod, but doesn’t.

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At last year’s Toronto International FIlm Festival they had guys dressed up in the running outfit that Michael Cera wore in Juno jogging around town, handing out orange Tic Tacs. So, it’s only fitting that this year the only viral marketing we’ve spotted around town is from another Michael Cera film. Nick and Norah’s Infinite Playlist has a phantom band in it that is central to the plot, and we’ve spotted advertisements for this band stenciled onto sidewalks and plastered on streetlights.

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From its animated notebook-scrawl opening credits to a final scene in which two people finally, effortlessly unburden themselves of a MacGuffin and just decide to be together, Nick and Norah’s Infinite Playlist (based on the young adult novel by Rachel Cohn and David Leviathan) seems to have been packaged in the hopes that the lightning that made Juno an unignorable commodity a cultural phenomena will strike twice. Nick and Norah isn’t quite the assault to the teen romance genre that Juno was, and that’s both good and bad. Michael Cera’s Nick, Kat Denning’s Norah, and their assorted pals drift fluidly between irony-as-defense and taking both themselves, and the idea of love, very seriously. The result is a film that’s much more of a traditional teen romance, but also a more honest one.

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The 2008 edition of the Toronto International Film Festival begins today, and Kevin Kelly and I will be there for the next ten days reporting back. What follows is not exactly an iron-clad preview of our Toronto coverage––in addition to some of the films below, I’m definitely planning to see new works by Claire Denis, Agnes Varda, Jonathan Demme and Richard Linklater, and would of course recommend that anyone on the ground see some of my favorites from past festivals, including Medicine for Melancholy and A Christmas Tale. This is more of a list of predictions of what everyone else is going to be talking about, while I’m pushing my glasses up my nose and rushing to to the next screening of the a South Korean movie about drunken lonliness. Enjoy! If you have your own predictions for what will catch fire in Ontario, let us know in the comments.

1. Zach and Miri Make a Porno (TIFF screening info)

Obviously, anything with “porno” in the title has a certain automatic contingent (hello, Google searchers! Sorry to disappoint!) But then, so does anything with the credit “written and directed by Kevin Smith.” And then there’s the leading man. Some perspective: Smith’s last three films have grossed an average of $26 million each; the last three films starring Seth Rogen have grossed an average of $117 million each. With Jay and Silent Bob finally retired (we think/hope), and Rogen in tow for the usual, MPAA-baiting Smithism, Porno could––however ironically––become what Jersey Girl was supposed to be: the tipping point that expands the Smith fan base beyond the longtime Clerks faithful.

2. Slumdog Millionaire (TIFF screening info)

Crowdpleasers make me itch. But then, to borrow a line from David Fincher, I’m an asshole. Assuming you are not, you might be interested to know that Slumdog Millionaire shows all the symptoms of becoming The Next Juno. Like Juno, Slumdog premiered in a TBA slot at Telluride, where reaction from all but our own Kevin Buist was enthusiastic, even hyperbolically so. Also ike Juno, it’s a music-fueled piece of pop art in which young love results from unlikely circumstances. And, thanks to Warner Brothers’ loss of faith in this tier of the distribution market, it’s now being distributed by Fox Searchlight––just like Juno. If looking for The Next Juno is now part of our jobs, at least Searchlight is taking all the arduous work out of it.

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