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The Lovely Bones Trailer Looks Derivative. Today in Film Bloggery 08/05/09

Christopher Campbell
By Christopher Campbell posted 3 months ago
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I didn’t bother reading any of the premature Lovely Bones posts yesterday because I find the idea of a teaser for a trailer to be quite silly. But now that we’ve been able to see the whole spot (via Apple), let’s talk about it. Personally, I was really excited for Peter Jackson to return to something more Heavenly Creatures than LOTR with this adaptation of Alice Sebold’s best -seller, but I’m pretty disappointed with the afterlife stuff here.

Maybe it’s because of the Alice in Wonderland trailer. Maybe it’s because of the derivative premise of Zack Snyder’s Sucker Punch. Maybe it’s because it looks a lot like What Dreams May Come. But I enjoyed that movie, at least for the visuals, so perhaps I should just accept that Jackson was unfortunately not going to do more clay people, a la the fantasy sequences from Creatures, and focus more on the real-world stuff.

Well, aside from thinking these scenes also don’t look that original or interesting (is it a spoiler that we’re shown the murderer?), I’ll probably see the movie for Stanley Tucci alone. Others may be concentrating on Mark Wahlberg’s wig, but I’m all about Tucci’s appearance here. Sure, I’m all about any actor who does the comb-over/mustache combo, but we all have our things that draw us into a movie.

See what the other film blogs are saying about the trailer after the jump:

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Julie Delpy Goes to Berlin, Chris Moltisanti Goes to Rotterdam

Karina Longworth
By Karina Longworth posted 10 months ago
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indieWIRE has info on two major European festival announcements this morning: the films selected for Rotterdam’s Tiger competition for early-career filmmakers; and “the first 21 films” slotted in Berlin’s Panorama program. The Berlin lineup includes Julie Delpy’s latest directorial effort, The Countess, a period piece starring the director and William Hurt; Pedro, the docudrama about the Real World San Francisco cast member who died of AIDS which premiered at Toronto last year; and two Sundance entries, Tom DiCillio’s Doors doc When You’re Strange and White Lightnin’, the “dancing outlaw” film scripted by VICE guys Shane Smith and Eddy Moretti.

Meanwhile, in Rotterdam, 14 films while vie for the award given to first and second time filmmakers. Among them: Michael Imperioli, best known as sometime-screenwriter, sometime-junkie Christopher Moltisanti on The Sopranos, whose The Hungry Ghosts will open the festival; and films from Chile, Indonesia, Iran, Taiwan and Turkey. The remainder of the festival’s lineup will be announced on January 15, six day before screenings get underway.