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EXTRACT Review

Karina Longworth
By Karina Longworth posted 2 months ago
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When Beavis and Butthead debuted on MTV’s Liquid Television in the very early 90s, it was not at all conceivable that its creator, animator and primary voice actor Mike Judge would, over the course of two decades, build a career that eventually conformed to the key points on the Troubled Maverick Timeline. First with those double entendre-happy half-brains to his long-running King of the Hill, Judge has done more to legitimize animation as a commercially viable vehicle for sly social critique than anyone in the post-Simpsons era save Matt Stone and Trey Parker. With Office Space, he cast Jennifer Aniston, then the biggest star on TV, in a sharp satire about 20 something stagnation far away from Central Perk, and audiences didn’t immediately get it. He followed that with Idiocracy, an apocalypse comedy that Fox dumped on the mere assumption that audiences wouldn’t immediately get it. Both films went on to find fervent cult audiences; Office Space looked a lot better on video and cable once its timeless comedy of little guy vengeance could be safely sifted away from the Aniston baggage; Idiocracy looked a lot better when it was actually available to be seen. After all this, it’s no wonder that Judge, who has written and directed each of his features, is treated like an auteur — quite the feat for a guy who makes visually indistinguished comedies mostly about working class guys and their frustrated ids. Who does he think he is — Kevin Smith?

Actually, Extract made me laugh more than any the last few Kevin Smith movies, but where Zach and Miri Make a Porno seemed to bring its maker’s career into sharper focus, Extract seems to derail Mike Judge’s previous progress as a filmmaker with Something to Say About The Way We Live In This United States. The story of Joel (Jason Bateman), a small business owner whose dreams of selling out to General Mills and finding a way to justify cheating on his wife are both thwarted when the insolence of one of his workers causes a chain reaction that results in another worker losing a testicle, Extract first takes too long to get going, and then seems to stumble into three or four conclusions. It’s riotously funny for about an hour in between (much of this thanks to the perfect cast, including Ben Affleck as Joel’s bartender buddy, Mila Kunis as the con bimbo who catches his eye, and Kristen Whig as his bored and boring wife), but those who have come to expect a Mike Judge movie to precisely skewer a contemporary social sphere may be disappointed. I didn’t previously give Office Space or Idiocracy much credit as anything other than very smart comedies, but Extract makes them both look like quasi-libertarian morality plays about the absolute necessity of personal responsibility. Those films were about men manning up to change the status quo; Extract is about a guy briefly taking his balls out of a drawer, juggling them for a bit and then putting them back after coming to the understanding that his status quo is actually great. Take away the ample discussion of testicles, and there’s something almost Capraesque going on here.

10 Characters Zooey Deschanel Should Have Played

10 Characters Zooey Deschanel Should Have Played

Christopher Campbell
By Christopher Campbell posted 7 months ago
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A new Zooey Deschanel movie came out last weekend. But is it the one where she plays a “Manic Pixie Dream Girl” opposite Paul Dano or the one where she plays a “Manic Pixie Dream Girl” opposite Joseph Gordon-Levitt? It’s the former, and it’s called Gigantic, which is also not to be confused with this coming week’s new DVD release, Yes Man, in which she plays a “Manic Pixie Dream Girl” opposite Jim Carrey.

Sure, Deschanel has range and talent (see this fan-made montage of some of her more varied performances), but she also has a certain repetitive nature to her characters. And this “Manic Pixie Dream Girl” nature became all the more confusing recently when trailers for Gigantic and (500) Days of Summer (the Gordon-Levitt one, which is actually her second romantic pairing with the actor) appeared online around the same time. Maybe instead of worrying about people confusing her for Katy Perry, the actress should worry more about people confusing her characters and films for each other.

Or, maybe not. Plenty of us can’t get enough of Deschanel’s quirky, free-spirited performances. In his Yes Man review, Roger Ebert noted that two critics proposed marriage to the character at the end of the film. We wouldn’t go that far, but we have crushed on the actress since All the Real Girls and haven’t yet gotten sick of her or her similar, typecast roles. In fact, to us, the problem is not that indie films too often employ the MPDG character; it’s that they don’t cast Deschanel for every such part. So, instead of wishing she’d broaden her career to include other types of characters (it didn’t work well for her with The Happening, after all), we’ve selected ten MPDG characters that she should have additionally played.
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SAG Strike Threat Eliminated. Trade Roughage 01/27/09

Christopher Campbell
By Christopher Campbell posted 9 months ago
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  • Threat of a SAG strike is now nearly eliminated following the guild’s National Board of Directors’ firing of national executive director and chief negotiator Doug Allen. Also, the board disbanded the TV/Theatrical Negotiating Committee. While we can now rest assured there will be no work stoppage, though, SAG’s lack of unity will unfortunately continue.
  • Brendan Fraser may have bombed at the box office this past weekend, but his career will always be safe as long as he’s willing to do movies like Furry Vengeance, in which he’ll play a real estate developer battling against “a band of angry critters.”
  • While film writers are being axed everywhere, at least two are finding other gigs in filmmaking: Latino Review’s Kellvin Chavez and IESB.net’s Robert Sanchez are two of the producers working on the comic adaptation El Zombo Fantasma, which is described as a “Latino Hellboy.”
  • Anyone who has ever wished to see Hilary Duff gunned down by machine guns rejoice! The former Disney Channel starlet will play Bonnie Parker in a new telling of the story of Bonnie and Clyde, ingeniously titled The Story of Bonnie and Clyde. Transamerica’s Kevin Zegers will play Clyde Barrow.
  • Fans of Defiance rejoice! Jamie Bell and Daniel Craig will be reunited for Steven Spielberg’s The Adventures of Tintin: Secret of the Unicorn, in which they’ll play Tintin and Red Rackham, respectively.
  • Fans of Carl Franklin’s Devil With a Blue Dress rejoice! Denzel Washington will be reunited with Jennifer Beals in the Hughes brothers’ The Book of Eli. She’ll play a blind woman who is both daughter to Mila Kunis and sexual prize of Gary Oldman.
  • Sundance attendees who loved Sin Nombre rejoice! Director Cary Joji Fukunaga has lined up his next two projects at Universal/Focus Features.

Max Payne: Insert “Payneful” Pun Here

Kevin Kelly
By Kevin Kelly posted 1 year ago
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Mark Wahlberg and Mila Kunis in Max Payne

Max Payne had a fairly complex plot for a video game. Detective Max Payne comes home one day and finds junkies in his home, and kills a couple of them before discovering that they’ve murdered his wife and infant child. He decides to transfer to the DEA as a result, and later discovers that there is a link between the pharmaceutical company his wife used to work for, the junkies, the mafia, and dirty DEA agents. The game was also infamous for featuring scenes inside Max’s head: there’s the constant sound of a baby crying, and you have to walk along a blood trail on the ground suspended over a dark void. If you fall off, Max fully loses it, goes nuts, and dies. To this day the “baby levels” are still used as examples of nightmare-inducing bad game design.

The Mark Wahlberg-starring movie, which opens today, tries to simplify the plot, and ends up differing from the game quite a bit. However, those changes are for the worse. What was a dark and gritty video game full of gunplay becomes a stylistic mess where the director tries to imitate other movies.

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Comic-Con Diary: Where the Girls Are

Karina Longworth
By Karina Longworth posted 1 year ago
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When I first went to Comic-Con, almost a decade ago, it was purely as a girlfriend. My then-love interest and I had gone to our respective home towns for the summer, and one day he called and asked for my measurements––he was making me an Uhura dress.

I understood then that part of my job at Comic-Con was partially to avoid saying anything too cynical or aggressive to his friends from back home (including the girlfriend of his best friend, who went every year in full Slave Leia regalia). But mainly, my job was to look good. I was young, and I went along with it because I was flattered that anyone would actually want to put me on display. Still, I wasn’t exactly looking forward to it, and if memory serves, I wasn’t very good at it. I am a girl of varied talents, but that summer I learned that being passive, high-concept arm candy doesn’t make use of any of them.

Which is not to say that I had a terrible time; when we got to San Diego, I ditched the boyfriend and found my own niche. I remember there being a fair number of a girlfriends, floating around at various levels of excitement or reluctance, but there were also women who were there because they were active members of one of the communities represented, either as educated consumers or as makers, or both, and across generations, they seemed to be talking to one another. My memory could be fuzzy, but I don’t remember a single booth babe. I do remember a lot of preteens in Sailor Moon suits, but that’s another matter.

But blah, blah, blah — times change. From 2000 to 2007, Comic-Con attendance tripled. Studios started to swoop in in earnest around 2001, after X-Men and the ascendancy of sites like Ain’t it Cool taught them the power of the permanent adolescent male market. As long as we’re on the subject of adolescence, if my experience at Comic-Con 2008 is any indication, the options for young girls here have, on the surface, become quite a bit more varied than the either/or between mannequin and active consumer/producer; at the same time, most of these new options seem to amount to little more than one side of that old binary split.

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Comic-Con 2008: The Day the Earth Stood Still, Max Payne, Wolverine

Karina Longworth
By Karina Longworth posted 1 year ago
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FOX Studio really does it up at Comic-Con 2008 with Keanu, Jennifer Connelly (The Day the Earth Stood Still) Mark Wahlberg, Ludacris (Max Payne) and a surprise appearance by Hugh Jackman with footage “from his bag” of Wolverine.

Highlights:

- Surprise preview reel of Wolverine joins previews of The Day the Earth Stood Still and Max Payne.

- TDESS should really piss of conservatives with it’s heavy human vs. environment condemnation.

- Mark Wahlberg speaks Russian? (Of course, girls love it)

- Max Payne looks like “The Departed with 1,000 times more violence.”

- Wolverine will cut Liev Schreiber’s “goddam head off.”

Read the full liveblogging transcript below.
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