The other day I took in a triple feature consisting of the following very different films: Shane Meadows’ Somers Town; the political farce In the Loop; and Harry Potter and the Half-Blood Prince. Two things each of these films did share are they all come from the UK (the last is a co-production at least) and they all were more naturally funny than Funny People, which I watched the next day.
I’m not sure if it’s my inherent Anglophilia that causes me to appreciate the humor of Jim Broadbent in a fantasy blockbuster more than Seth Rogen or Adam Sandler in the latest from the reigning king of American comedy, but I did realize that I should probably be watching more British cinema, much of which is humorous whether labeled comedy or not, and less Hollywood comedies, most of which tend to be overwritten and forced nowadays.
This isn’t to say I’m going to turn all blueblood snob and ignore the domestic stuff. I still enjoyed Funny People for the bittersweet tale(s) that it is, and I’ll continue loving Keaton more than Chaplin and the Marx Brothers more than any comedy group that has or will ever come out of Great Britain. However, I am looking to expand on my so-far limited familiarity with British comedy, which barely extends further than the must-see bunch listed below. So please leave a comment with any other recommendations you have for myself and anyone else interested.
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Is the end of the world nigh? It sure seems that way. Even if the economic situation wasn’t enough of a harbinger of doom, this swine flu pandemic is a sure sign of the apocalypse. Or so it would appear through the media attention. Yes, the outbreak is tragic, and it is certainly a serious concern. And necessary, non panic-inciting developments must be reported. But when we read about how the flu might affect the box office for X-Men Origins: Wolverine, the news coverage has clearly gone a little overboard.
We’re not saying that we should ignore the topic; in fact if there’s anything we’ve learned from Hollywood’s treatment of plots involving widespread disease and infection it’s that turning a blind eye and/or burying the story will come back to bite us on the ass (or any other part of the body that a zombie can sink its teeth into). But fearmongering isn’t helpful either. That’s another thing the movies teach us.
So, what do we do if we want to get out of this latest flu scare alive? We rent some films, and we learn how to survive from both the characters who endure and the characters who perish. Fortunately for you, we’ve already watched the films and are willing to share their lessons.
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I keep forgetting that Mike Myers is not actually playing an Indian in The Love Guru, and yet I’m constantly reminded by the film’s commercials, which show that ridiculous shot of a little kid’s body with Myers’ giant head digitally superimposed onto it. Really, Myers’ character (Pitka) is a white American who is left on the doorstep of an Indian ashram when he’s a child. Then he’s raised as Indian, I guess (or simply Hindu, but then why the accent?).
Apparently the character, Pitka, couldn’t simply look and talk like Myers. He had to have that silly accent and the clothes and the facial hair, despite the fact that Deepak Chopra, who partially inspired the character (and who appears in the movie), is able to wear jeans and be clean-shaven. Because who would believe Myers as an Indian guru with just the voice, the clothes and his baby face?
Of course, Myers is not the first actor to wear or grow a beard and/or mustache in order to take on the guise of another ethnicity. Sure, it’s also the accent and the makeup that transforms the actor, but with the most recognizable faces, it’s the facial hair that really seals the deal for supposed authenticity.
- Charlton Heston as Mexican in Touch of Evil (pictured above) - Maybe if Heston could maintain the accent he wouldn’t have needed the mustache. But then in photos he still would have just looked like regular old Heston. With the whiskers, however, he looks like regular old Heston with a mustache. If this look defined a man as Mexican, then many characters from the ’30s must have been Mexican. Rhett Butler? Mexican. Nick Charles (and anyone else played by William Powell)? Mexican.
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