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10 Surprisingly Good Portrayals of Iconic Figures

10 Surprisingly Good Portrayals of Iconic Figures

Christopher Campbell
By Christopher Campbell posted 6 months ago
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Many critics will no doubt rip apart Robert Pattinson’s performance as Salvador Dali in Little Ashes this weekend, but the truth is that it’s a surprisingly good portrayal of the artist. That is to say that given our expectations, combined with Pattinson’s own celebrity, added to the fact that anyone would look ridiculous sporting Dali’s signature mustache (even Dali), the Twilight actor does as well in the role as is possible. Is the performance Oscar-worthy? Certainly not, but it is deserving of some level of praise.

Pattinson’s Dali follows a long tradition of surprisingly good portrayals of iconic figures. Movie stars are constantly cast as famous persons they barely resemble, and often it’s difficult to shake off our identification with the player in order to accept him/her as the depicted individual. Some of these performances are better than others, and most have been honored by the Academy, but each actor and actress listed below either initially seemed like a wrong choice for the respective part or he/she was at least understood to be taking on a difficult task in attempting to portray such a familiar personality.
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Thrilla in Manila Review, Sundance 2009.

Paul Moore
By Paul Moore posted 10 months ago
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UPDATE: This documentary was billed at Sundance 2009 as Thriller in Manila, but is now set to release under the more jazzy sounding title, Thrilla in Manila.

Take an epic sporting event, cut together the highlights and interviews with the athlete (or athletes) and coach (or coaches), and you have an instant crowd-pleaser, because the crowd already been pleased once and knows it will be again. I expected Thriller in Manila to be that documentary until the build up of “the greatest fight of all time” between Muhammad Ali and Joe Frazier unexpectedly wheezes, as a 63 year old, nearly incoherent Frazier walks into his decrepit Badlands of Philadelphia gym. With one shot of the little, cluttered room he lives in upstairs, the tone shifts to the unapologetic telling of Joe Frazier’s side of the story. Director John Dower has an easy target (Ali can’t speak for himself anymore), but to his credit he lets the camera remain on the mixed emotions of people closest to the fight and thereby raises issues–and the film–above its genre.

Through talking heads with the gray hairs who were there, archival footage and the relentless narration of Paterson Joseph, we go back to the late sixties when Joe Frazier and Muhammad Ali are friendly competitors. Joe Frazier personally lobbies President Nixon to get Ali back in the ring after Ali’s famous refusal to go to Vietnam for his religious convictions (a member of the all-black Nation of Islam). Back in the ring, Ali and Frazier go on to have three fights in a vicious rivalry that’s the stuff of sports legend and Greek tragedy. It all culminates in 1975 when Philippine dictator Ferdinand Marcos hosts the “Thrilla in Manila,” the third and final bout between Frazier and Ali.

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