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My Bloody Valentine 3D in 2D. Clip(s) of the Day

John Lichman
By John Lichman posted 10 months ago
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We know you can hardly wait until My Bloody Valentine decide to come back, but at least the tacky My Bloody Valentine 3D comes out in two weeks! (Send your friend a “bloody valentine” over the Internet! Or, you know, don’t.)

Luckily, this clip from the 3D “masterpiece” that detail just how subtle and scary a remake of an underrated 80s slasher can be–especially in 3D! The original story involves a crazed, cannibalistic miner who raped a bunch of trapped mine victims (we’re betting this is tweaked in the new release) and who threatens to repeat his carnage if the town ever has another Valentine’s Day celebration. And yes, the original is only meant for those with a soft spot for crap/hack/slash films that have an unwarranted taboo–i.e. “9 minutes too graphic for the MPAA!”

Luckily we’ll get plenty of useless 3D shock scares in this needless remake, and see another clip at MTV. To be fair, that trailer promised flames bursting into a theater and a miner’s flashlight illuminating us. Then again, we are very confident that this will explode at the box office. Or implode. A fiery downfall either way.

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Shoegaze Doc To Be Scored By Brad Laner

Karina Longworth
By Karina Longworth posted 2 years ago
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c0548911×21.jpgThe 15 year-old version of Karina is jumping up and down at the news that Brad Laner of Medicine is composing the score for Beautiful Noise. I swear I’ve written about this film before, but I can’t find a previous post on Spout about it, so here’s the rundown: directed by Eric Green, Noise is a documentary about shoegaze, the British flash-in-the-pan trend that, or a couple of years in the late 80s, sort of united stoney, droney bands like My Bloody Valentine, Ride, Lush and Jesus and Mary Chain, before a press backlash made uttering the very name of the trend anathema.

(If that syndrome sounds familiar, check out the Wikipedia sections on both the shoegaze movement and its backlash, which attribute the genre’s collapse to a single Melody Maker story which referred to the genre as “The Scene Which Celebrates Itself.” After that story, shoegazers “became perceived by critics as over-privileged, self-indulgent and middle-class.” Ho-hum.)

Anyway.

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