At age 35, with just three features under his belt, Azazel Jacobs seems like an unlikely candidate for a retrospective, but if such an endeavor pumps up the profile of his first two, lesser-seen films whilst effectively promoting his soon-to-be-released Momma’s Man, I’m not going to argue against it. BAM will devote five nights of programming to Jacobs this week, with all three of his features shown alongside two films selected by the director: the 1980 Clash vehicle Rude Boy, and Aki Kaurismaki’s La Vie de Boheme.
The series opens tonight with a screening of Jacobs’ second film, The GoodTimesKid. A punk rock fantasia shot on 35mm stock infamously stolen from a Hollywood feature, the film stars Jacobs as Rodolfo, a scrappy brooder who kicks his way out of domestic complacency with girlfriend Diaz (played with an irresistible mix of strength and eccentricity by Jacobs’ drop-dead real-life GF, Sara Diaz). In order to join the army, Rodolfo steals the identity of another man named Rodolfo (Gerardo Naranjo), a loner who lives on a liquor-littered little boat. When the first Rodolfo walks out of Diaz’ life on the night she’s throwing a party for his birthday, the second Rodolfo walks right in. Diaz, hungry for the attention and affection that she can’t squeeze out of her Rudolfo, is open to a replacement Rodolfos, at least for a night.
