Kate Winslet’s performance as a concentration camp guard in The Reader has been the subject of much debate over the past week, though little of the discussion has actually concerned her craft. The argument lies in whether or not this specific performance should be considered for the lead or supporting actress category. Furthermore, if Winslet ends up in the latter, will it be due to “category fraud?” That is not a legal term and this is not a legal issue, but it is an important topic for this year’s Oscars. The significance of the matter likely extends even to Winslet’s ability to sleep at night, as she may fear the high possibility of her becoming “the biggest loser among actresses in the history of the Academy Awards.”
Category fraud may be defined as an attempt to deceive Academy voters into believing a lead performance is supporting, or vice versa. Examples of category fraud seen in Oscar’s past may include recent supporting nominations given to Ethan Hawke, Jennifer Connelly and Cate Blanchett (for Training Day, A Beautiful Mind and Notes on a Scandal, respectively). Guy Lodge at In Contention and Dave Karger at Entertainment Weekly have both brought up the accusation regarding The Reader, not only for Winslet’s part but also for the Weinstein Co.’s general campaign for the film, which is pushing for supporting nominations all around for Winslet, David Kross, Ralph Fiennes and Lena Olin.
The problem for Lodge and Karger’s complaint is that category fraud can’t be applied to the supporting categories, because despite the Academy’s irritating penchant for category-defining rules for eligibility in other areas, there is really no precise distinction made regarding the separation of lead and supporting categories. …Read more
