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Baz Luhrmann’s Australia: Five Reasons The Critics Are Wrong

Baz Luhrmann’s Australia: Five Reasons The Critics Are Wrong

Kevin Kelly
By Kevin Kelly posted 1 year ago
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I might as well get this out of the way first: I loved Baz Luhrmann’s epic Australia. I was on the fence about seeing this, especially once I heard about the 165 minute running time, but I gave in and boy was I glad. It’s a sprawling epic with nods to classic films of the 30s and 40s, and besides featuring the eye candy combo of Nicole Kidman and Hugh Jackman, it also introduces Brandon Walters, who is possibly the cutest child actor alive. If there was some sort of scientific cuteness scale, he’d break it.

Despite the beautiful vistas and the sweeping storyline, not everyone is loving it. After the press screening I attended, a bunch of us gathered on the street outside the theater to debate reactions. It was oddly dividing: people either hated it or loathed it. I’d spent part of the week with a friend from Australia, and he’d denounced it as cheesy, because they have two Aussies in the lead roles: Jackman doing a faux “crikey!” Australian accent, while Kidman actually has a faux British accent. He said most of his friends in Sydney felt the same way.

Here in the States, Australia’s detractors are saying a lot of the same things. So, I’m taking the top five critiques of Australia and refuting them. I might not be able to change the critics’ minds, but I’m hoping you’ll at least give the movie a chance in theaters. Spoilers ahead!

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Toronto Lineup, Oz Redux: Trade Roughage 08/22/07

Karina Longworth
By Karina Longworth posted 2 years ago
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  • 3621228348a05f027510e010l.jpgindieWIRE points to the 17-page PDF detailing the 349 films that will unspool at next month’s Toronto International Film Festival. New details just announced today include a special screening of Grand Illusion presented by Peter Bogdanovich, who will in turn be presented an award for his film preservation efforts; Jason Reitman’s Juno, scripted by blogger Diablo Cody; and several Reel to Reel program additions, including a Joy Division doc by Grant Gee and a Lou Reed doc by Julian Schnabel.
  • This is what the DVD format wars have wrought: Michael Bay came home from a dinner party and wrote a drunken blog post saying he wouldn’t do Transformers 2 unless Paramount starts releasing movies on Blu-ray. Cue massive internet scandal. Then the next day he was like, “Whoops. I really shouldn’t blog after midnight. HD DVD rocks!”
  • The people who brought you Spawn and A History of Violence are partnering to bring “a revisionist take” on The Wizard of Oz to the screen. Don’t let that logline turn you off right away–Michael Fleming’s Variety story is actually fascinating. “Conversations with [Todd] McFarlane and [Josh] Olson make it clear that they are still working out the tone of the film,” Fleming writes. “McFarlane has a vision of Oz that is a dark, edgy and muscular PG-13, without a singing Munchkin in sight. That was clear with a toy line he launched several years ago that featured a buxom Dorothy and Toto reimagined as an oversized snarling warthog. Olson has something a little tamer, and PG, in mind.”