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Julie Delpy Goes to Berlin, Chris Moltisanti Goes to Rotterdam

Karina Longworth
By Karina Longworth posted 10 months ago
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indieWIRE has info on two major European festival announcements this morning: the films selected for Rotterdam’s Tiger competition for early-career filmmakers; and “the first 21 films” slotted in Berlin’s Panorama program. The Berlin lineup includes Julie Delpy’s latest directorial effort, The Countess, a period piece starring the director and William Hurt; Pedro, the docudrama about the Real World San Francisco cast member who died of AIDS which premiered at Toronto last year; and two Sundance entries, Tom DiCillio’s Doors doc When You’re Strange and White Lightnin’, the “dancing outlaw” film scripted by VICE guys Shane Smith and Eddy Moretti.

Meanwhile, in Rotterdam, 14 films while vie for the award given to first and second time filmmakers. Among them: Michael Imperioli, best known as sometime-screenwriter, sometime-junkie Christopher Moltisanti on The Sopranos, whose The Hungry Ghosts will open the festival; and films from Chile, Indonesia, Iran, Taiwan and Turkey. The remainder of the festival’s lineup will be announced on January 15, six day before screenings get underway.

Porno, Dungeon, Paris: 10 Toronto Films We’re Betting On

Porno, Dungeon, Paris: 10 Toronto Films We’re Betting On

Karina Longworth
By Karina Longworth posted 1 year ago
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The 2008 edition of the Toronto International Film Festival begins today, and Kevin Kelly and I will be there for the next ten days reporting back. What follows is not exactly an iron-clad preview of our Toronto coverage––in addition to some of the films below, I’m definitely planning to see new works by Claire Denis, Agnes Varda, Jonathan Demme and Richard Linklater, and would of course recommend that anyone on the ground see some of my favorites from past festivals, including Medicine for Melancholy and A Christmas Tale. This is more of a list of predictions of what everyone else is going to be talking about, while I’m pushing my glasses up my nose and rushing to to the next screening of the a South Korean movie about drunken lonliness. Enjoy! If you have your own predictions for what will catch fire in Ontario, let us know in the comments.

1. Zach and Miri Make a Porno (TIFF screening info)

Obviously, anything with “porno” in the title has a certain automatic contingent (hello, Google searchers! Sorry to disappoint!) But then, so does anything with the credit “written and directed by Kevin Smith.” And then there’s the leading man. Some perspective: Smith’s last three films have grossed an average of $26 million each; the last three films starring Seth Rogen have grossed an average of $117 million each. With Jay and Silent Bob finally retired (we think/hope), and Rogen in tow for the usual, MPAA-baiting Smithism, Porno could––however ironically––become what Jersey Girl was supposed to be: the tipping point that expands the Smith fan base beyond the longtime Clerks faithful.

2. Slumdog Millionaire (TIFF screening info)

Crowdpleasers make me itch. But then, to borrow a line from David Fincher, I’m an asshole. Assuming you are not, you might be interested to know that Slumdog Millionaire shows all the symptoms of becoming The Next Juno. Like Juno, Slumdog premiered in a TBA slot at Telluride, where reaction from all but our own Kevin Buist was enthusiastic, even hyperbolically so. Also ike Juno, it’s a music-fueled piece of pop art in which young love results from unlikely circumstances. And, thanks to Warner Brothers’ loss of faith in this tier of the distribution market, it’s now being distributed by Fox Searchlight––just like Juno. If looking for The Next Juno is now part of our jobs, at least Searchlight is taking all the arduous work out of it.

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