Personal documentaries rarely operate under the aesthetic and narrative rules of horror films, incorporating shocking Shyamalan-esque twist endings, but Dear Zachary: A letter to a son about his father does, so it’s fitting that Oscilloscope are beginning its roll out on Halloween. When filmmaker Kurt Kuenne’s childhood best friend Andrew Bagby was killed at the age of 32, almost certainly by his years-older jilted girlfriend Shirley Turner, Kuenne began filming testimony from his friends and family as a memorial to his lost friend. Shortly thereafter it was revealed that Andrew’s probable killer, who though charged with the crime had not yet been extradicted from Canada, was pregnant with Andrew’s child, and as Andrew’s parents Kate and David moved to Newfoundland and fought for custody of the baby, Kuenne drove across the continent from California to conduct interviews. At that point, he restructured the project: it was now a filmed letter addressed to baby Zachary, about the man his father was. But before Kuenne finished filming, the story would take another, much more devastating turn. It may be impossible to talk about Dear Zachary in terms of craft without spoiling the real-life twist which compromises the integrity of its structure, but I’ll try to be as vague as I can. …Read more
Margaret Brown’s The Order of Myths opens at the IFC Center in New York on Friday. This review is adapted from our coverage of the film at the SXSW Film Festival, where we also interviewed the director. Above: Brown shops and talks at Sundance.
Margaret Brown’s The Order of Myths offers an immersion into the archaic miasma that is Mardi Gras in Mobile, Alabama. It’s the world’s oldest celebration of its kind, and tradition mandates that the two weeks worth of parties and parades are mostly racially segregated. Using Mardi Gras season as a microcosm for a portrait of contemporary race relations in the city, Brown gets a filmmaker’s dream gift in the black and white Mardi Gras associations’ selection of their queens.
Queen Stephanie, a black schoolteacher, is a descendant of a group of slaves who were transported on the Clothilde, the last slave ship to enter the US. When the Clothilde came ashore, there was a fire and the passengers escaped into the woods, ultimately settling in an area that came to be known as Africatown. Queen Helen Meaher, whose family now owns most of the land in Africatown, is a descendant of the company that brought the Clothilde over. “My people was on her people’s ship,” Stephanie says, with a slow, matter-of-fact nod. That nod confirms the film’s thesis: racism isn’t an outrage or even a spoken issue Mobile––it’s casual, habitual, and historically excused.
True/False officially begins tonight, but as is tradition, the festival hosted a special preview screening last night for students at the University of Missouri. The film was …an Alternative to Slitting Your Wrist, and it was a perfect pick for the young crowd. 25 year-old Owen Lowery, who directed, edited and appears in nearly every frame of the autobiographical doc, doesn’t exactly break new thematic ground or wow with his filmmaking prowess, but that’s part of the point: super-accessible and unencumbered by the constraints of traditional cinematic language, Wrist is pure peer-to-peer catharsis.
The film follows Lowery from 24th birthday to 25th, as he attempts to conquer a list of 52 things that he’s always wanted to do, one for each week of the year. We learn early on that Lowery made the list whilst in a psych ward, where he was recovering from a suicide attempt. At first, Lowery milks some of the less-noble list items for comic relief: he gets shot with a taser, he gets but by a scorpion and, thankfully, we’re spared the footage of him “taking a dump on Mount Rushmore.” But the list eventually settles into a structuring gimmick that gives Lowery license to confront his real demons. It becomes apparent that the project isn’t really about the list at all, but about the personal traumas––childhood sexual abuse, his father’s drinking problem as well as his own––that led Lowery to his personal rock bottom.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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