Way back in June, I passed along the news that Paul “Pee Wee Herman” Reubens was set to star in Life During Wartime, Todd Solondz’ alleged semi-sequel to Happiness and Welcome to the Dollhouse. According to this post on MTV’s Movie Blog, Reubens is still attached to the project, but the project itself may not be any closer to getting made. The former Pee Wee says Wartime has “gotten pushed three times” due to “problems with the financing on it.” At the 2006 Cannes Film Festival, Solondz issued a statement about the “unbridled enthusiasm and support” the project enjoyed from then-financiers Fortissimo Films. Are we to assume that said enthusiasm has waned?
Regardless, that’s not even the most interesting nugget of the MTV story. Reubens confirms that as written, Wartime features “characters from Welcome to the Dollhouse and Happiness whose paths converge. It’s all different people playing the same roles…I’m playing a role someone else played in one of those movies.”
So who do you think it could be? Assuming Solondz is taking age and gender into account in his casting process (and post-Palindromes, there’s no reason to assume that at all), the safest bets would probably be one of three characters from Happiness. There’s Allen, the pervy caller played by Philip Seymour Hoffman (see the clip above, beginning around 5:40); Dylan Baker’s father/psychiatrist/pedophile; and the character played by Jon Lovitz, potential suitor who is jilted in the film’s first scene by Jane Adams. Given Reuben’s personal history, the Dylan Baker character is probably the most obvious, but I think the Jon Lovitz character might be more interesting. Tell us your own thoughts in the comments.
“Those devil horns and that crooked arrow strongly suggest that the ghost of legendary art director Saul Bass created the new one-sheet.” Jeff Wells breaks down the elements of ThinkFilm’s very old-school new poster for Sidney Lumet’s Before the Devil Knows You’re Dead. See my NYFF review of the film here, and to listen to Lumet talk about his newfound love of HD, click this.
In the last ten years, movie screens have squashed podiums as the place for politicians to build a voter base. Should old entertainment formulas be used in politics? Do these politi-dramas spur us to action or whining? Under discussion:Sicko (2007), The Party’s Over (2000), Network (1976) and the sprawling entity known as Michael Moore.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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