Before seeing Johnny Depp as John Dillinger in Michael Mann’s new crime film Public Enemies, we decided to check out an earlier portrayal of the infamous bank robber, Lawrence Tierney in Dillinger. The 1945 picture is a bit disappointing in terms of bank jobs, which are mostly shown in quick succession during a montage. There is one interesting robbery, but technically it’s an armored truck heist (also, having been shot by Fritz Lang for an earlier film, the scene doesn’t quite fit the rest of the movie). From what we hear, the robberies in Public Enemies aren’t that much more memorable, even if they do resemble an MGM musical, which is a shame considering how clever the real Dillinger was.

We definitely prefer a clever criminal and a clever plan when it comes to bank robber movies. Otherwise it’s just yet another taut thriller or slapstick comedy involving a tunnel dig from the bakery/bathhouse/chicken restaurant/luggage store/etc. next door. So we’ve come up with ten favorite bank jobs that involve originality and a successful getaway (a plan isn’t that clever if it doesn’t work). There have been hundreds of bank robberies throughout film history so if we’ve forgotten something really clever, inform/remind us of the movie in the comments. We’ve purposefully excluded armed vehicle, stagecoach and train robberies, though, so stick specifically to internal bank jobs.
…Read more

Virtually since the production of Michael Mann’s Public Enemies was announced, various parties have expressed concern that the video fetishism of Collateral and Miami Vice would make a less than appropriate presentation format for a glammy gangster piece set in the 1930s. If *only* Public Enemies looked more like Miami Vice — if only Mann had brought back cinematographer Dion Beebe for a third consecutive collaboration/experiment in pushing the limits of what high quality digital video can do. Lensed by The Insider cinematographer Dante Spinotti, Public Enemies is a drab looking film, its shaky-cam aesthetic coming off as less considered — and far less explicable — than that of any number of indie dramas employing similar run-and-gun techniques on a millionth of this film’s budget. Add in a wildly uneven performance style, an unnecessarily attenuated running time and a sound mix that’s problematically muddy even after evidently excessive after-the-fact dubbing, and the result is a severely miscalculated marriage of style to subject. I’ve said it before, and I’ll say it again: Public Enemies is essentially a really expensive mumblecore film with ADR and guns — and the M-word comparison is not merited solely by its conspicuous form. It’s also a film in which the world of work and general era-appropriate social consciousness is conquered by an emphasis on love. And that, in the end, may be the only thing Public Enemies does right.

…Read more

Yesterday, for the second time in two weeks, In Contention’s Kristopher Tapley confessed to being done with 2008 and noted a bunch of anticipated 2009 films. These aren’t necessarily titles he’s looking forward to seeing, though; it’s basically a preliminary jump on next year’s Oscar season. Because apparently this year’s Academy Awards are all but handed out, the winners properly predicted and expected, and now it’s time to think about what will be up for what in 2010. Those titles Tapley lists are Rob Marshall’s Nine, Peter Jackson’s Lovely Bones, Michael Mann’s Public Enemies, Clint Eastwood’s “Mandela“ (formerly The Human Factor), Richard Curtis’ The Boat That Rocked, Scott Cooper’s Crazy Heart and the latest from Terrence Malick (The Tree of Life), Steven Soderbergh (The Informant), Paul Greengrass (Green Zone), Martin Scorsese (Shutter Island) and James Cameron (Avatar).

Oh, and then Jeff Wells had to go and hint that Spielberg’s Lincoln is likely to arrive by year’s end. What and who else is being foreseen as nominated this time next year? Check out the links after the jump.

…Read more

I found it unnecessary yesterday to be the billionth blogger to link to the Christian Bale tirade, but today I want to roundup some of the damage control, both direct and indirect, that should hopefully water down the seemed significance of yet another recording of yet another actor having yet another bad day. Because when big media like the Daily News finds it newsworthy and gets poll results from readers believing it to be more “bad attitude” than “bad day,” it’s necessary to spin the positive and concentrate on what we should be concentrating on: the actual movie being made.

• So, first direct your attention to some cool Terminator Salvation images recently published by Wired, and specifically focus on the image of the “Hydrobot” (thanks to I Watch Stuff for spotlighting it). Is this some kind of special tribute to two of James Cameron’s other great films? And should we be on the lookout during the film for sinking ships and flying Piranhabots?
• Nikki Finke has updated her initial post with a quote from an unnamed source: “Christian and the DP are all good now. It happened. It was one isolated event. He regrets that he lost his temper.”
• 1st AD Bruce Franklin, who was somewhat involved in the incident, also defends Bale to E! News as simply having had a bad day: “He is so dedicated to the craft. I think someone is begging to make some noise about this, but I don’t think it’s fair. The art of acting is not paint by numbers, it’s an art form.”
• Similarly Terminator Salvation costar Terry Crews comes to Bale’s defense on Hollyscoop: “He is a class act! He is one of the greatest actors ever. You can catch anyone on a bad day.”
• Heckler Spray’s Stuart Heritage believes that after last year’s arrest coinciding with the release of The Dark Knight, this rant is merely Bale’s latest means of film promotion: “Christian Bale’s next movie is the Michael Mann film Public Enemies. Lord alone knows how he’s going to promote that one, but we’d wager that it’ll involve a tank of petrol, a lighter, a box of puppies and some sort of tribal dancing.”
• Rope of Silicon highlights both Herzog’s Fitzcarraldo and the David O. Russell/Lily Tomlin incident as proof that blow-ups like this are not uncommon.
• Cinematical’s Scott Weinberg and William Goss have made a parody audio that shows just how common such work-related tirades can be. Yes, even bloggers have bad days.
• Of course, others are using this as an opportunity to show how perfect their own sets are. On The Today Show this morning, Matt Lauer and friends shared a similar incident involving a wandering crew member that didn’t result in bad behavior. Watch the better-than-thou display here.
• Finally, the best way to positively spin a negative story such as this? Dance remix! Check it out after the jump.
  …Read more