Two of this year’s Oscar winning films were sequels. And only two Oscar-nominated films are officially slated for sequels. But only one film fits both of these truths. The Bourne Ultimatum, which was a bit of an upset in its winning of three Academy Awards, including the shocker of Best Editing (which Christopher Rouse certainly deserved), will definitely be getting a follow-up, if this Variety article from Friday is correct (via Cinematical and Empire). The possibility of a fourth Bourne installment has been floating around for awhile now, despite the fact that Ultimatum so nicely tied up the series’ storyline and despite implications from Matt Damon and Paul Greengrass that continuing the franchise is unnecessary. But considering Ultimatum was a box office hit, and a critical favorite (it was one of the best mainstream films of the year) and has now won three Oscars, it seems like a no-brainer that Universal should want to keep Jason Bourne running.

The same can’t be said for that other Oscar-winning sequel, Elizabeth: The Golden Age. Although director Shekhar Kapur has said he wants Elizabeth to be a trilogy, it’s unlikely that the third film will be greenlit anytime soon. Of course, the plan is to revisit the story after another decade and things could well be different in ten years. Even if it weren’t likely to be a box office or critical success, it could be worth making just for the Oscar glory. I know that Alexandra Byrne wasn’t the first costume designer to receive Oscar nominations for work on two different films in the same series (Ngila Dickson and Richard Taylor were both nominated for two LOTR films), but if she suited Cate up again for a third film, she might be the first to have that honor of making it three. Meanwhile, Cate could also be the first actor or actress to be nominated three times for playing the same character.

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A lot of people have wondered how a brilliant film like Ratatouille could be denied a Best Picture Oscar nomination. Well, I’ve finally uncovered the conspiracy, and it involves food, obviously. See, Ratatouille celebrates great French cuisine. But apparently the Academy is in the pockets of the American fast food industry, because all five of the Best Picture contenders have some sort of connection to the greasy, fatty and popular foods that keep America overweight and complacent.

What, you don’t believe me? OK, well here’s the obvious ones: There Will Be Blood has a line about drinking milkshakes (the line is now such a popular catch phrase, I’m shocked McDonalds hasn’t yet given its customers a movie tie-in); Juno has a hamburger phone; No Country For Old Men has that slaughterhouse bolt pistol. Now here’s the less noticeable and the real stretch: Michael Clayton deals with a fictional company called U-North, which is pretty much supposed to be the real company Monsato, which got its start as the supplier of saccharin, caffeine and vanillin to Coca-Cola; and Atonement is the latest film to have a “small fry” actress nominated for an Oscar (yeah, that’s all I’ve got).

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Villains are oftentimes more interesting than heroes. So, it isn’t surprising when a villain becomes popular enough to warrant his or her own comic/movie/book/etc. The latest, according to IESB, will be Venom, one of the three villains featured in the horrible superhero sequel Spider-Man 3. For Marvel Comics readers, this isn’t that shocking. Venom received his own comic titles long ago, and disappointingly turned semi-good-guy vigilante. But will the movie spin-off be the same kind of water-down? If we look at the two ways a villain spin-off typically goes, it’s probable.

First, there’s the villain origin piece, which includes movies like Hannibal Rising, The Scorpion King, Wicked, the upcoming X-Men Origins: Magneto and of course the Star Wars prequels. They attempt to show how the evolution of a wronged person who becomes the iconic villain we’re familiar with. They try to make us sympathize, but usually they just come close to ruining the character. Rarely there is an origin storyline that makes us like the character even more, as in the case of The Godfather Part II’s flashbacks. Fortunately, we already witnessed the Venom origin in Spider-Man 3 and won’t be subjected to one in the proposed Venom movie.

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Here is my follow-up to last month’s question of what mainstream movie will feature on the most top ten movie lists. And the winner is … Ratatouille. Oh wait, didn’t I disqualify that one for being too obvious? No? Well, I should have. Yes, according to Movie City News’ Big Ass Chart (aka Scorecard) of critics’ top tens, the Pixar movie made it on to 51 best-of lists, making it the best-grossing best movie of the year. But maybe it wasn’t the most mainstream, if you define mainstream as studio-produced fare. Under that qualification Zodiac was the best mainstream movie of 2007, having been made jointly by Warner Bros. and Paramount and showing up on 70 best-of lists. Other Warner successes include Michael Clayton, which featured on 54 lists, Sweeney Todd, which received 44 mentions, Harry Potter and the Order of the Phoenix, which showed up on one list, and Letters From Iwo Jima, which showed up a little late on one list.

As far as those mainstream movies I predicted would feature heavily, Knocked Up (34 lists) ended up defeating Superbad (25 lists) — meanwhile, the third Judd Apatow movie of the year, Walk Hard, managed to get on one critic’s list — though both were actually behind The Bourne Ultimatum (28 lists), when it came to “average vote” (average numerical placement on the list). If we’re going by mainstream appeal (and if Karina is correct in her view of the film), then Juno was the best mainstream comedy of the year with 63 lists. Hairspray (13 lists) beat out its crappy musical siblings Across the Universe (7 lists) and Enchanted (8 lists). In addition to showing up on Richard Corliss’ list, Beowulf managed 3 other mentions. And Transformers not only showed up on a top ten list, it featured on 3! Of course, it’s more surprising that Spider-Man 3 made it on 4 lists. The greatest thing to happen, of course, was Manohla Dargis listing The Kingdom as one of her favorites. Joining her is Don Payne. If I had made a top ten list (instead of this thing), the film could very well have beaten Transformers. Oh well, at least nobody put the shocking blockbuster Alvin and the Chipmunks on their list … yet.

This is nothing like my top ten of 2007. I don’t not do top ten lists because I think they’re stupid, pointless or pretentious. I don’t do them because I never see enough films in the year to feel I’m adequately representing what is the best of the year. I don’t even feel I could represent my favorite of the year, since later on I’ll likely see some great films from this year that would qualify as my favorite(s). So, I’m just going to present some movies (or parts of movies) I really loved this year, and tell you what I loved about them. Because to me best of lists are merely a reminder of movies I still need to see, consider this a list only of things you might have missed and should definitely check out.

• Sunshine and The Last Winter - Two incredible science fiction stories that each ends rather disappointingly. Fortunately both are good enough until their denouements that they are completely recommendable to serious sci-fi fans and anybody else who wants to spark up some discussions about environmental issues and/or psychological implications of being out in the middle of nowhere.
• The Boss of It All - Not the most remarkable Von Trier film, but proof that he can make a simple comedy if that’s what he wants to do. I especially enjoyed it because I’ve had a passive boss who was exactly like the one in the film. Also, Ibn Hjejle has now been redeemed for her awful, out-of-place presence in High Fidelity.

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• Over the weekend, a few critic groups united in naming No Country for Old Men the best movie of 2007. St. Louis, Utah and Florida all love the Coen Bros. movie, as well as Ellen Page, Amy Ryan, Daniel Day-Lewis and Ratatouille. They managed to mix it up a little bit, though, so as not to be completely identical/redundant/unnecessary. I’d give the most hugs to the gang in Utah for honoring The King of Kong if only they hadn’t disappointed me with their choice for best actress runner-up: Amy Adams. If I was booked to attend that little film festival of theirs next month, I’d totally change my mind and boycott. People just don’t know the lengths I’ll go to complain about this Enchanted kudos crap.
• Not surprisingly, National Treasure: Book of Secrets topped the holiday weekend box office with $65 million. I would have gone to see it, but instead I hung out at JFK airport for hours on end Sunday night and watched parts of Con Air on my iPod. I’ve decided that Nic Cage is a lot better suited for the small-small screen. Too bad such a strong opening means he won’t be making direct-to-iPod movies any time soon. 
• Perhaps this is a sign that studios will stop trying to find “the next Harry Potter franchise” and begin trying to find “the next I Am Legend.”: Potter actor Robert Pattinson (”Cedric Diggory”) will star opposite Kristen Stewart in Catherine Hardwicke’s teen vampire flick, Twilight. Too bad the Hollywood Reporter already gave us this story two weeks ago; too bad vampire movies have already been a monstrous trend in Hollywood; and too bad studios will never stop looking for “the next Harry Potter franchise.”

While trying unsuccessfully to get over the whole Amy Adams kudos debacle (did you see she’s just been nominated for best actress by the Broadcast Film Critics Association?), I began wondering about year end lists and how many of them feature at least one obligatory mainstream movie. Typically its a funny but highly overrated comedy, like Borat, The 40-Year-Old Virgin or Little Miss Sunshine, sometimes its an action movie, rarely it’s a thriller or well-made horror flick.

So, I’m wondering what will be the most mainstream best movie of 2007, the one that features on the most year-end top ten lists. I’m so far discounting Juno, because it’s still in its little indie darling stage, and not yet a wide-release hit. Instead, I’m counting on either Knocked Up or even Superbad to take the honor. Already I’ve seen, thanks to Movie City News, both movies featured on a list made by a publication called the Georgetown Voice. But while I figured the former had more cred with critics, it’s the latter that has shown up on more lists by itself, including those of Victoria Times‘ Michael D. Reid and Artforum’s T.J. Wilcox.

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This week’s spin is all about the revisions. The 8:17 AM Monday version of David Germain’s AP writeup stressed an action star’s humiliation at the hands of an imaginary rodent, leading with the headline, “Cartoon Rat Beats Bruce Willis.” At some point in the morning, the imagery was softened somewhat; the 9:55 headline, “Rat Rules Box Office With $47 Million,” takes Willis’ defeat out of the equation.

Over at Variety, Pamela McClintock was quick to note in her Saturday morning report that Ratatouille’s $16.5 million first day was “the lowest first-day opening for a Pixar film since Toy Story 2 in 1999.” By Sunday night, when the animated film’s massive victory over all comers was apparent, McClintock’s revised report described the film’s weekend-long ascendancy to the top spot as a “simmer.” For her part, Nikki Finke’s preferred cooking metaphor is “roasted,” which seems like a bit of an overstatement.) Remember, on Friday McClintock’s coverage gave the Die Hard sequel the edge in the race for to the top spot.

Meanwhile, while his Hollywood Reporter pre-weekend coverage had given the Pixar film the edge, Gregg Kilday notes that if Live Free’s Wednesday and Thursday receipts are taken into consideration, “Die Hard ended the weekend with a five-day estimated cume of $48.2 million, a whisker ahead of Ratatouille’s three-day gross.” Proof that an almost-senior citizen can cook a rat–he just needs five days and, like, a crock pot.

More on these movies at Spout:

Live Free or Die Hard
Ratatouille
Toy Story 2

***”McClane, who has handily defeated effete Eurotrash in the past, is destined to find himself overshadowed this weekend by a Parisian rat with a refined palette.” Gregg Kilday can’t hold back the snark in reporting that Ratatouille is looking likely to beat Live Free or Die Hard at the box office this weekend.

***Variety seems to think the odds are with McClane. Pamela McClintock notes that Live Free’s $9 million opening day is not only Bruce Willis’ best opening since the mega hit Armageddon, it’s the best first-day tally for a Die Hard film, ever.

***What kinds of unsavory things did Marc Forster have to do in order to get two jobs in two weeks? The newly anointed Bond director is partnering with Mandate Pictures to develop Land of Roses , about “a suburban mother who, with the support of her fellow outraged townspeople, attempts to exonerate a hardworking Middle Eastern father falsely imprisoned as a terrorist by Homeland Security.”

***Speaking of unsavory, Jim Carrey has been hired to star in and produce Sober, a Universal-based comedy poking fun at addiction. According to Variety, hilarity ensues when “a hard-partying software exec [is] assigned a court-appointed Sober Buddy to keep him under control during a critical business trip to Las Vegas. A perfect plan falls apart when the Sober Buddy (Carrey) falls off the wagon.” Delightful!