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Bruno Keeps Buzz Up with Ratings “Snag.” Today in Film Bloggery 03/30/09

Christopher Campbell
By Christopher Campbell posted 8 months ago
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It’s certainly no accident that The Wrap’s Sharon Waxman found out about and reported on Bruno initially receiving an NC-17 rating from the MPAA. After all, what raunchy docu-comedy wouldn’t want additional buzz focused on how “objectionable” some scenes were? Universal and Sacha Baron Cohen obviously pushed the envelope in order to both see how much they could get away with and to draw attention to themselves with a desired NC-17. Hasn’t anyone been following Hollywood the past 10 years? Here are a few benefits to both garnering the unacceptable rating and having news of that “unfortunate” rating leaked to all the fanboy bloggers:

  • Typical outrage over the MPAA’s dealings guarantee postings (including this one), which continue to give attention to the film.
  • Excitement over how hard the ultimate R-rating will likely be continues the interest from moviegoers interested in raunchy content. And if they’re upset that it won’t be as dirty as the original NC-17 version they can always…
  • …look forward to the Unrated DVD release, which will most definitely include the censored “objectionable” scenes either in the movie or as supplement material.

Of course, news of the ratings controversy does draw potentially unfair complaints regarding the MPAA’s reputation for typically having problems with homosexual themes. For once, though, the gay community can leave the ratings board alone on this one, since the studio and filmmakers most certainly wanted all of this. Of course, if you do decide to protest, make sure you mention the film title often. That will help the marketing, too.

And now some of the unnecessary complaints from my fellow internerds helping with the film’s buzz:
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Captivity: MPAA Tests Its Jurisdiction Yet Again

Karina Longworth
By Karina Longworth posted 2 years ago
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The Motion Picture Association of America (AKA the MPAA, AKA the mysterious cabal that sits somewhere on the crux of government, religion and commerce, whose primary function is to devise movie ratings) has been paying an inordinate amount of attention to Captivity, a low-budget torture flick that opens this Friday. In March, the MPAA threatened to withhold rating the film unless the studio releasing it, Lionsgate, removed a series of billboards that were drawing complaints. Lionsgate complied, but still allowed Captivity producer Courtney Solomon to mouth off to the New York Times about how the premiere party for the film would feature cage fighting, torture rooms, and Suicide Girls as on-the-clock “dates” for select fans.

That party happened last night, and according to FishbowlLA, the MPAA threatened to pull Captivity’s R-rating after learning that Solomon and his party planners had actually used the discarded billboards to wrap the outside of the Sunset Strip club where the party was to take place. After receiving a call from the MPAA’s Marilyn Gordon a few hours before show time, Solomon says he had the billboards moved inside the event venue, but is nonetheless “expecting a call” from the ratings board this morning to learn his punishment.

If the MPAA were to remove Captivity’s rating, the teen-targeted pic wouldn’t be able to screen in most multiplexes when it opens on Friday. So obviously this is a big deal for Solomon and Lionsgate–but do the MPAA really have the jurisdiction to pull ratings based on the marketing materials used at a private event? Where’s Kirby Dick when we really need him–and would he even care about a breach of ethics involving torture porn?