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Best Opening Forever. Trade Roughage 09/15/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • A few record openings happened over the weekend, though unfortunately some came too late. As the Coen brothers experienced their greatest ever debut with Burn After Reading (or, as I call it, “Forget After Watching”), which also gave Focus Features its biggest opening ever, the same was true for Picturehouse, which saw its best bow with its final release, The Women. Meanwhile, newbie distributor Overture Films had its best debut with its fifth release, Righteous Kill, and Warner Independent opened its own final feature, Towelhead, to the weekend’s best per-screen average ($13,250).
  • Despite his latest box office failure, Vin Diesel is getting another another chance. The actor will reunite with director Rob Cohen for a third xXx movie after having skipped the first sequel. It would seem to be Diesel’s acknowledgment of career misdirection had he not already recently signed on for the fourth Fast and the Furious installment, too.
  • Speaking of things that came too late: where was Framelight Productions when Alan Moore began his naive relationship with the movie biz? According to The Hollywood Reporter, this new company’s goal is to work very closely with creators every step of the way in its adaptations of their comics, video games and toys.
  • And finally, for the too soon department: Jeffrey Katzenberg is still pimping 3-D, this time via a live 3-D broadcast and talking of a time when all movies are 3-D, all viewing formats are 3-D (including computers and handheld devices) and everyone fashionably wears their 3-D glasses at all times.

Adults Take the Multiplex. Trade Roughage 09/12/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • According to Variety, four new films are competing for the attention of adult moviegoers this weekend, with The Women attracting the +25 ladies and Righteous Kill, Burn After Reading and Tyler Perry’s The Family That Preys attracting the men, I guess. The prediction is that Perry’s film will win the box office, because it will attract the black audience while Righteous and Burn are expected to split their (white?) demo. And, well, women don’t actually go to the movies. Right?
  • Universal and Focus have made a deal to invest in and co-produce the latest from Oldboy director Chan-wook Park. The new film, a risque vampire pic titled Thirst, is apparently the first Korean production financed and picked up for distribution by a U.S. studio prior to its being completed and released locally.
  • In case you want to know more about the Gore Verbinski-Johnny Depp motion capture film, Rango, Variety has a short follow-up, which spotlights the involvement of ILM. Though it doesn’t really add much to the original news, I’m a little more intrigued now about the future of animated features and whether or not mo-cap companies like ILM, Sony Pictures Imageworks and Animal Logic (none of which, it’s noted, develop their own projects) could soon give Pixar and DreamWorks a run for their money.
  • Ray Winstone will replace walk-off Robert De Niro in Martin Campbell’s Edge of Darkness, which will apparently actually be good and so doesn’t fit with De Niro’s career goals of late.

10 Careers That Need to Backtrack to the ’90s

Christopher Campbell
By Christopher Campbell posted 1 year ago
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September is often used as a dumping ground for movies, but this year it also appears to be a dumping ground for once-great or once-promising talents who’ve lost their way. I’ve taken note of at least 10 individuals (actors, actresses and a couple filmmakers) who have new films out this month (I’m counting the Labor Day weekend, too) who are due for a visit from the Ghost of Movies Past.

More specifically, these people need to backtrack to the ‘90s, which is when most of them did their last truly great work. Perhaps they need to take a look at that earlier work and remember what it was they used to do. Or perhaps they just need to get advice from the Coen brothers, who similarly hit a slump in the new millennium, but who are now back on track with a few more Oscars in hand and a new comedy, Burn After Reading, which looks to be more in line with their ‘90s classic The Big Lebowski than their 2000s missteps Intolerable Cruelty and The Ladykillers.

Nicolas Cage (guilty September 2008 release: Bangkok Dangerous)

It could be argued that Cage made just as many worthless movies in the ‘90s as he has in the ‘00s. Also, considering his box office success with Ghost Rider and the National Treasure movies, plus his excellent Oscar-nominated dual role in Adaptation, it’s debatable that he’s “lost his way.” But it’s clear to me, at least, that he currently lacks any concern for the quality of his work, as evidenced by this month’s Bangkok Dangerous, which makes even Con Air look well crafted by comparison. In the ‘90s, Cage was doing much greater work for Scorsese, Lynch and even Michael Bay, and he won an Oscar for Best Actor, too. Unless he starts caring about the roles he chooses, he’s more likely to one day receive lifetime recognition by the Razzies than a lifetime achievement award from the Academy. Who he needs to work with again to get it back: the Coens; Uncle Francis (Ford Coppola); Scorsese; even Michael Bay would be good.

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