In today’s New York Times, Brian Stelter talks to muckraking filmmaker Robert Greenwald about his latest project, Rethink Afghanistan, which Greenwald calls “a real-time documentary.” Greenwald has posted the first two of five parts of the documentary on the Rethink website and is currently in Afghanistan shooting more; eventually, the video blogs will be “stitched together” into a full-length film for potential festival play, DVD release, and even theatrical distribution.
Greenwald says speed is his primary motivator for releasing his works in progress to the web in this way; with President Obama somewhat quietly escalating the war in Afghanistan, Greenwald (who titled the first chapter of Rethink “More Troops + Afghanistan = Catastrophe”) is hoping his film will impact policy. On the Rethink website, he’s already obtained over 36,000 signatures to a petition demanding congressional oversight hearings on Afghanistan spending, in the name of creating “a national conversation to address the many questions surrounding this war.” The YouTube comments on the first chapter would suggest that the film is already making it possible for that conversation to take place amongst the rabble, and at a surprisingly high level of discourse for the video sharing site.
One issue that Stelter and Greenwald don’t address is the fact that Greenwald is at liberty to work this way only because he has a massive grassroots base already built, and its members are already online, and he doesn’t need film festival accolades to raise his profile, and theatrical release for his films is an afterthought. Does the collapsing of distinction between online video and feature filmmaking become less significant when it’s simply a question of finding your audience where they live? Is this a model that any other name brand documentarian would be willing to play with at this point?
Introducing a screening at the Starz! Green Room yesterday of a segment from In Their Boots, a new web-to-PBS series from Brave New Foundation, Jim Miller disclaimed that there were no ideological intentions fueling this new work from the production company that brought you Iraq For Sale and Fox News Porn. Though Miller, Robert Greenwald and their Brave New compatriots are very much in the business of attempting to bring down the modern conservative movement, Miller maintains that this series is “Totally non-partisan…we’re not taking a stance on the war, good or bad or anything.”
On a long enough timeline, this will probably turn out to be an indefensible statement, but as far as the quarter of an hour of reality TV-style footage shown here on Monday, it’s reasonably sound. …Read more
Robert Greenwald, director of Iraq For Sale, Outfoxed and Xanadu, has launched a new campaign against FoxNews called Fox Attacks. A video associated with the campaign, available on its website and embedded via YouTube above, seeks to demonstrate that every single Fox News program is guilty of “pushing smut out on the airwaves.” Among other things, the video accuses Fox of adding “inappropriate sexual images to serious news stories,” exemplified by a clip of a story in which the hunt for a serial killer in Daytona Beach is illustrated with footage of a bikini contest, complete with numerous cleavage close-ups. Greenwald and friends want to inspire viewers to request “a la carte” cable packages excluding the network.
There’s a quote from Gloria Steinem on the Fox Attacks page, slamming the network for showing “more sexualized violence and humiliation than probably any other network — all in the name of condemning it.” I’m no Fox News fan, but obviously, Greenwald’s clip does the exact same thing. Their highlight reel of half-naked atrocities plays, in the context of YouTube, as straight-up softcore.
I don’t know if it helps his argument or hurts it, but Greenwald certainly knows a thing or two about gratuitous sexuality on TV; he got his start in the 70s directing made-for-TV exploitation flicks like Katie: Portrait of a Centerfold, which marked the leading lady debut of a young Kim Basinger. If you come across any clips of that on the web, do pass them along.
Robert Greenwald, who has made a living making unabashedly partisan documentaries about Wal-Mart and Iraq since scratching Xanadu off his resume, has teamed with Senator Bernie Sanders to launch a viral video campaign against Fox News. The first video, which you can see at FoxAttacks.com, calls for viewers to put pressure on the mainstream media to put pressure on the Bush administration. My favorite line from the Hollywood Reporter story: “One media observer said the video lacked balance and journalistic credibility.”
IFC has picked up three films expected to screen at the Toronto Film Festival, including Harmony Korine’s Mister Lonely. In keeping with their previously announced plan to focus their attention on the First Take initiative, IFC will release all of these new acquisitions simultaneously in theaters and on VOD.
“Jeff Goldblum and his hometown of Pittsburgh, whether it likes it or not, have combined to create a surprising summer delight,” effuses an un-bylined AP story floating over at The Hollywood Reporter. That’s an, uh, interesting way to introduce the pay-cable debut of a film that made its festival debut 15 months ago and hasn’t been heard from since.
We haven’t done an installment of The Micro Five in a couple of weeks, so let me give you a refresher: the basic idea is not to create a definitive (read: totally subjective) Top Five list, but to pick a super-specific topic and examine how five films handled it differently. You can read previous installments here, here, here and here.
This time out, we’re looking at musical numbers of the 80s. The Hollywood musical is thought in some quarters to have lost its way in the late 70s/early 80s (although recent reappraisals have been kinder to the era that produced curiosities like One From the Heart.) Still, the influence of MTV on all aspects of 80s culture (but especially youth culture) by the end of the decade led to an normalization of song and dance scenes (but especially dance scenes) in non-musicals. See my take on five numbers involving John Hughes, Spike Lee and Christopher Walken, after the jump.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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Robert Greenwald, who has made a living making unabashedly partisan documentaries about Wal-Mart and Iraq since scratching 
